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Tracks: Remembrance - George Winston Love Is The Key - Tuck And Patti Remember Me This Way - Liz Story Driving - Will Acherman Welcoming - Michael Manring Hawk Circle (Radio Edit) - Will Ackerman After The Harvest - Angels Of Venice Remember Who You Are - Cathy Bolton To The One Who Knows - Yanni Gol Na Mban San Ar - Mary McLaughlin & William Coulter Children Of The Sun - David Arkenstone Dream Come True - Jim Brickman Canyon Chaconne - Paul Winter Dream - Tuck & Patti A Gentle Place - Lisa Lynne Amazing Grace - Cathy BoltonPerformer Notes: <ul><li>Producers include: Ed Tossing, Cathy Bolton, David Arkenstone, George Winston, Howard Johnston.</li><li>Engineers include: Maurice Ricks, Howard Johnston, Nancy Scharlau.</li><li>Personnel: George Winston (guitar).</li><li>Liner Note Author: Neale Donald Walsch.</li><li>Unknown Contributor Roles: David Arkenstone; George Winston; Will Ackerman; Jim Brickman; Lisa Lynne; Liz Story; Michael Manring; Paul Winter ; The Angels of Venice ; Tuck & Patti; William Coulter; Yanni; Cathy Bolton.</li><li>Arranger: William Coulter.</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 27 October, 1998Label: Windham Hill RecordsDimensions: 14 x 14 x 0.6 centimeters (0.07 kg)

Conversations with God, Vol. 2

Tracks: Riders of the Ancient Winds Maiden and the Warrior, The From the Redwoods to the Rockies Samba del Luna Seattle Child Tribal Runner Fallen Heroes Sweetwater Change of Seasons From the Redwoods to the Rockies (Acoustic Reprise) - (acoustic reprise)Performer Notes: <ul><li>Personnel: Russ Freeman, Craig Chaquico (acoustic & electric guitars); Paul Taylor (soprano saxophone); David Benoit (piano); Ozzie Ahlers, Bill Heller (keyboards).</li><li>Engineers include: Nick Sodano, Russ Freeman, Craig Chaquico.</li><li>Principally recorded at Cheyenne Mountain Ranch Studios, Cheyenne, Colorado from April to June 1998. Includes liner notes by Craig Chaquito and Russ Freeman.</li><li>Personnel: Paul Taylor (soprano saxophone); David Benoit (piano); Ozzie Ahlers (keyboards, percussion); Bill Heller (keyboards).</li><li>Audio Mixers: Craig Chaquico; Nick Sodano.</li><li>Recording information: 29th Studios, Torrance, CA (04/13/1998-06/02/1998); Cheyenne Mountain Ranch Studios, CO (04/13/1998-06/02/1998); Luna Tunes, Mill Valley, CA (04/13/1998-06/02/1998); Ozworld, Novato, CA (04/13/1998-06/02/1998).</li><li>Illustrator: Malcolm Farley.</li><li>Photographer: Sonny Mediana.</li><li>Arrangers: Craig Chaquico; Russ Freeman .</li><li>Aside from their mutual smooth jazz pedigree -- which include some of the genre's most critically acclaimed and best-selling recordings -- it would appear Russ Freeman and Craig Chaquico have little in common. Chaquico came to instrumental music in the early '90s from life as a rock & roller, and 15 years as the guitar anchor in Jefferson Starship. Freeman and his band the Rippingtons were there at the inception of the format, breaking through with albums like Moonlighting and Kilimanjaro that were as much about soundscape-heavy productions and picture-perfect melodies as his own jazz guitar chops. A skeptic could easily call their pairing on From the Redwoods to the Rockies (Windham Hill Jazz) a marketing director's concoction. But that would be overlooking the colorful possibilities that result when jazz meets rock, and when two nature boys -- whose love of the land runs as deep as their lust for music -- meet up somewhere between the mountains and trees. Truth is, almost any of these tunes would fit perfectly on a Chaquico or Rippingtons disc, depending on whose axe takes center stage. "Riders of the Ancient Winds" features a trademark Chaquico swaying, gently rolling groove and melody line, and until Freeman chimes in with a subdued electric solo (which eases into a background harmony line), it could easily be an outtake from any of Chaquico's solo efforts. Same throughout the title track, although the tender Chaquico ballad vibe is spruced up with a cool piano trio section led by David Benoit and a splash here and there of Freeman's laid-back acoustic soloing. On the other hand, Chaquico has never done much exotic music before, and so Freeman's sunny lines over gentle percussion -- again enhanced by Benoit's magic touch -- make "Samba" a stripped down Ripps tune, reminiscent of the tropical flavors of 1992's Weekend in Monaco. ~ Jonathan Widran</li></ul>Producer: Craig Chaquico, Russ FreemanFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: David Benoit; Paul TaylorRelease Date: 15 September, 1998Label: Windham Hill RecordsDimensions: 12.5 x 12.9 x 1 centimeters (0.04 kg)

From the Redwoods to the Rockies

Condition: Very Good Collectible Like New Audio CD - Audio CD's Are Tested And Cleaned With Our Professional Audio CD Cleaning Equipment Before Shipped - Ships Immediately - Great Product at a Unbelievable Price - Your Chance To Own This Collectible Audio CD Before Its Gone INCLUDES AUDIO CD AND CASECATALOG NUMBER :UPC:TESTED,COLLECTIBLE- VINTAGE- VERY RAREFAST SHIPPING WITHIN 24 HOURS

Angels Running by Patty Larkin (CD, Sep-1993, High Street) Ships Within 24 Hours

Performer Notes: <ul><li>Includes liner notes by Jay W. Junker and George Winston.</li><li>All tracks have been digitally mastered using HDCD technology.</li><li>Personnel: Sonny Chillingworth (vocals, guitar).</li><li>Endlessly is the second of three Dancing Cat Records releases celebrating the music of seminal slack key guitarist, songwriter, and singer Sonny Chillingworth. A solo record, Endlessly features Chillingworth reworking Hawaiian standards from his youth, as well as some of his own pieces such as "Slack Key No. 1" and later works such as "Keiki Slack Key" and "Liloa's Mele." Most of the pieces are instrumentals, but some feature Chillingworth's warm and tender baritone. The title track is the '50s Brook Benton R&B hit, and Chillingworth performs it with passion and a wonderful calm. Chillingworth's virtuosity as a guitar player is undeniable and this album is a gentle introduction to his dynamic style, which served to influence several generations of Hawaiian musicians. ~ Jeff Schwachter</li></ul>Professional Reviews: Dirty Linen (12/99-1/00, p.75) - "...envelopes the listener with a genuine, sincere warmth created by Chillingsworth's full-bodied vocals, and his version of the R&B classic 'Endlessly' is rooted in the tradition of the Islands..."Producer: George WinstonFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 17 August, 2011Label: Windham Hill RecordsDimensions: 14 x 0.6 x 14 centimeters (0.06 kg)

Endlessly

Tuck & Patti Love Warriors CD. 1. Love Warriors 2. Honey Pie 3. They Can't Take That Away From Me 4. Hold up, Hold Out, Hold On 5. Cantador 6. On a Clear Day 7. Europa 8. Castles Made Of Sand / Little Wing 9. Glory, Glory 10. If It's Magic

Tuck & Patti Love Warriors CD

Tracks: The Sphynx You Only Live Once Port Of Mystery Butterfly Dance Farewell Street Level The Magus Looking GlassPerformer Notes: <ul><li>PORT OF MYSTERY is a compilation of tracks taken from OPTIMYSTIQUE, DARE TO DREAM, KEYS TO IMAGINATION and OUT OF SILENCE.</li><li>Producers: Jerry Steckling, Yanni, Peter Baumann.</li><li>This is part of Windham Hill Records' Essential Windham Hill series.</li><li>Editor: Charlie Campagna.</li><li>Photographer: Lynn Goldsmith.</li><li>Port of Mystery is a fine budget-line collection featuring several of Yanni's best-known tracks for Windham Hill. While it isn't a comprehensive retrospective, it's a useful sampler for the casual and the curious. ~ Rodney Batdorf</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 29 April, 1997Label: Windham Hill RecordsDimensions: 14 x 14 x 0.6 centimeters (0.06 kg)

Port of Mystery

Performer Notes: <ul><li>Solo performer: Bla Pahinui (vocals, slack key guitar, ukelele).</li><li>Liner notes by Jay W. Junker & George Winston.</li><li>An installment in Dancing Cat's extensive slack-key guitar series. This one is from Bla Pahinui, one of the sons of legend Gabby Pahinui (and brother to co-legends Martin and Cyril Pahinui). This album collects a number of live solo performances from him. What one notices first of all is the repeated thumbnail strum that he plays rhythmically throughout his songs, something he picked up since playing a right-handed guitar upside down and backwards. Also, one might note that all of the songs are played in the same tuning, something rather rare for slack-key guitarists (it's his favorite). His sound is somewhat more informed by R&B than his family's general sound, but that is used to his credit. His voice is rather less deep and/or powerful than, say, Cyril's, which makes him a little less able to hold some of the slow, peaceful passages in the same way. Instead though, he plays more up-tempo, bouncier pieces. His technique is still outstanding, and his compositions are quite nice. For someone looking into slack-key recordings, anything connected to the Pahinui family is fair game (Cyril Pahinui, Gabby Pahinui, Martin Pahinui, Bla Pahinui, Atta Isaacs, Sonny Chillingworth), though true newcomers might do well to begin with the slightly more traditional sound of perhaps Cyril's recordings on Dancing Cat. ~ Adam Greenberg</li></ul>Producer: George WinstonFormat: CD (1 Disc); StereoCountry: USAStudio/Live: LiveRelease Date: 6 June, 2000Label: Sony LegacyDimensions: 12.5 x 0.8 x 14.3 centimeters (0.06 kg)

Windward Heart - Live Solo

Performer Notes: <ul><li>Personnel: Martin Pahinui (vocal, acoustic guitar); George Kuo (double-neck guitar); Bobby Ingano (steel guitar); George Winston (piano); Aaron Mahi (bass, background vocals).</li><li>Recorded at Audio Resource, Honolulu, Hawaii on July 16-19, 2002.</li><li>Personnel: Martin Pahinui (vocals, ukulele); Bobby Ingano (steel guitar); George Winston (piano); George Kuo, Aaron Mahi (background vocals).</li><li>Audio Mixer: Howard Johnston.</li><li>Liner Note Author: Jay Junker.</li><li>Recording information: Audio Resource, Honolulu, Hawai'i (07/16/2002-07/19/2002).</li><li>Introduction by: Aaron Mahi.</li><li>Photographers: Jay Junker; Steve Lankford.</li><li>Let's hear it for Hawaiian slack key music. An indigenous folk style played on acoustic guitar, slack key involves alternate tuning (in which the strings are loosened or "slacked"), to create a lingering resonance behind the plucked melody. Slides, hammer-ons, and harmonics are often involved in slack-key playing, and the result is a sweet, soulful sound that mimics the singing that sometimes accompanies the guitar. This beautiful slack key guitar/vocal combo is showcased on HO'OLOHE, the debut by Martin Pahinui, a prominent figure in the Hawaiian slack key tradition.</li><li>Though vocals don't always accompany slack key playing, Pahinui's rich voice, which ranges from mournful to jubilant, and incorporates a very endearing yodel, is the center of HO'OLOHE. Guitarists George Kuo and Bobby Ingano provide the slinky, six-string trickery, while Pahinui's croon evokes a paradise of gorgeous beaches, swaying palm trees, and mist-swept volcano peaks. This is warm, resonant, deeply pleasurable folk music imbued with the unmistakably distinctive flavor of the islands.</li></ul>Producer: George Kuo, George Winston, Aaron Mahi, Howard Johnston, Martin PahinuiFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: George WinstonRelease Date: 9 June, 2003Label: Windham Hill RecordsDimensions: 12.5 x 0.8 x 14.3 centimeters (0.06 kg)

Windham Hill Records(8)

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