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Cradle of Filth Damnation and a Day [PA] CD. Cradle Of Filth: Dani Filth (vocals); Martin Powell (guitar, keyboards); Paul Allender (guitar); Dave Pybus (bass); Adrian Erlandsson (drums). Additional personnel: Sarah Jezebel Diva (vocals); Dave McEwen (spoken vocals); The Budapest Film Orchestra And Choir. In the beginning there was metal and it was heavy. In the mid-'80s an underground sub-genre made a name for itself based as much on satanic imagery as on extreme music, with bands like Bathory and Mayhem. Enter England's Cradle of Filth, who took black metal to new heights in the '90s. DAMNATION AND A DAY finds the band at the artistic pinnacle of its controversial career, with the unprecedented-for-the-genre support of Sony firmly behind them. Forged with fire and brimstone, DAMNATION tells the biblical tale of temptation ("Serpent Tongue") and the revenge of outcasts ("Carrion"), a theme present in many Cradle albums, be the subjects cast out of society or heaven. Dani Filth's multifaceted whisper-to-a-scream vocals are operatic in scope and anguished with pain. Not unlike a more evil manifestation of Iron Maiden, double-time melodic riffs gallop and trample the senses. Brass-heavy orchestral interludes like a Verdi requiem and Karloff-esque spoken passages lend a horror-film quality. Goth ("Thank God For The Suffering") and Egyptian ("Doberman Pharaoh") vibes add depth and texture. DAMNATION is an all-out aural assault that will force you to take notice.

Cradle of Filth Damnation and a Day [PA] CD

Coheed and Cambria Good Apollo I'm Burning Star IV, Vol. 1: From Fear Through the Eyes of Madness [PA] CD. Lyricist: Claudio Sanchez. Personnel: Travis Stever (vocals, guitar, lap steel guitar); Claudio Sanchez (vocals, guitar); Josh Eppard (vocals, keyboards, drums); Michael Todd (vocals). Audio Mixer: David Bottrill. Recording information: Applehead Studios, Woodstock, NY (02/2005-06/2005). Ambition has never been a problem for Coheed & Cambria, but with GOOD APOLLO, I'M BURNING STAR IV..., the upstate New York progressive-metal quartet has succeeded in topping its already-adventurous previous outings. While extending its sonic reach, however, Coheed & Cambria has also hit new heights of accessibility, often sounding like a kinder, gentler Mars Volta, with soaringly melodic moments peeking through billowing, dense clouds of driving guitars and breakneck rhythms. The group eases into GOOD APOLLO with a moody orchestral opening ("Keeping the Blade") and a deceptively benevolent acoustic track ("Always & Never"), before launching into the blisteringly heavy "Welcome Home." As always, frontman Claudio Sanchez carries the dynamic songs, belting out strangely narrative lyrics in his high, clear voice. Although Coheed & Cambria has been loosely categorized as an "emo" band, here the ensemble fully outgrows that tag, joining an elite company of inventive metal acts (like the aforementioned Mars Volta) that are determined to challenge and fascinate listeners.

Coheed and Cambria Good Apollo I'm Burning Star IV, Vol. 1: From Fear Through the Eyes of Madness [PA] CD

We Are Born is the fifth studio album by Australian singer songwriter Sia and was first released on June 18th 2010. This album was crafted using Sia's childhood influences, Cyndi Lauper and Madonna. It includes singles 'You've Changed' and lead single 'Clap Your Hands'. Pressed onto single LP 180gram black vinyl.

We Are Born

Blue Öyster Cult Secret Treaties [Bonus Tracks] CD. Also available in a 3-pack with BLUE OYSTER CULT and TYRANNY & MUTATION. Blue Oyster Cult: Eric Bloom (vocals, guitar, keyboards); Donald "Buck Dharma" Roeser (vocals, guitar); Joe Bouchard (vocals, bass); Albert Bouchard (vocals, drums); Allan Lanier (guitar, keyboards, synthesizer). Producers: Murray Krugman, Sandy Pearlman. Reissue producer: Bruce Dickinson. Recorded in 1974. Originally released on Columbia (32858). Includes liner notes by Lenny Kaye. Digitally remastered by Vic Anesini (Sony Music, New York, New York). While Blue Oyster Cult's third release, 1974's SECRET TREATIES, continued to expand the band's fervent following, it lacked the heavy metal intensity that made the band's sophomore release, TYRANNY AND MUTATION, so exceptional. While hard rock compositions abound on SECRET TREATIES, the vast space rock of the group's self-titled 1972 debut can be detected back in the mix, courtesy of mainstay BOC producers Murray Krugman and Sandy Pearlman. While the album didn't prove to be the Blue Oyster Cult's breakthrough success (AGENTS OF FORTUNE would do the trick two years later), SECRET TREATIES is held in high regard by longtime fans, and has subsequently reached gold certification. The epic album closer, "Astronomy," would receive greater attention nearly 25 years after its initial release when Metallica covered it on the band's all-covers collection, GARAGE INC., in 1998, but other tracks are just as strong. "Career of Evil" was co-written by drummer Albert Bouchard and famous punk poet Patti Smith, and remains one of BOC's finest. Other standouts include the edgy rocker "Dominance and Submission," the synth-enhanced "Flaming Telepaths," and the vicious "ME 262." SECRET TREATIES was issued as a specially priced CD three-pack in 1995 along with BLUE OYSTER CULT and TYRANNY AND MUTATION.

Blue Öyster Cult Secret Treaties [Bonus Tracks] CD

Tracks: Wolves I'm a African 'They' Schools Hip-hop Police State Behind Enemy Assasination Mind Sex We Want Freedom Be Healthy Discipline Psychology Happiness Animal in Man You'll Find a Way It's Bigger Than Hip-hopPerformer Notes: <ul><li>Dead Prez: M-1, Stic.man.</li><li>Producers: Dead Prez, Lord Jamar, Hedrush.</li><li>Engineers include: Christos Tsantilios, Blair Wells, Nastee.</li><li>Principally recorded at The Cutting Room, New York, New York.</li><li>At the start of the 21st century, Dead Prez was one of the few outfits to rise above the crowded, mediocrity-prone fray of misogynistic, money-driven, and thug-centered hip-hop. The Brooklyn duo of M-1 and Stic.Man set new standards for living on their debut, LET'S GET FREE. On "Be Healthy," Dead Prez provides a guideline to good health through rhymes that promote eating right and exercising. They even explore the rap ballad with "Mind Sex," in which the two invite women to do more than just behave as submissive, self-serving objects of sexual gratification. This meaningful, culturally conscious album, which is marked by backdrops of startling, occasionally somber beats, provokes deep thought. Indeed, with LET'S GET FREE, Dead Prez put themselves in a hip-hop class of their own.</li></ul>Professional Reviews: Rolling Stone (5/11/00, p.132) - 4 stars out of 5 - "...A statement of sedition wrapped in a synergistic blend of urgent noise, angry rhythm and rhymes that display black skill in the hour of chaos..." Entertainment Weekly (3/17/00, p.71) - "...edgy, political...Hip-hop for the underground 'and' undergrads, backed by the latest high-tech beats....a welcome break..." - Rating: B CMJ (1/08/01, p.10) - Included in CMJ's "Best of the Year" for 2000. CMJ (3/6/00, p.3) - "...an intensely charged collection of songs that aims to shake up its audience and educate it to the varying degrees of injustice inflicted by the American institution....a confrontational masterpiece..." Vibe (3/00, p.216) - "...harks back to the heyday of Public Enemy and Boogie Down Productions' enlightenment over wall-busting beats....an awesome debut....with rugged production laced with electric guitar, pig grunts, and a 2-man narrative technique..." The Source (3/00, p.246) - 3.5 mics out of 5 - "...[they] have the mentality of N.W.A. and the cultural and historical awareness of Public Enemy....conveys an almost Gothic feel [with]...the combination of smooth tracks and cleverly laid vocals....[a] conscious, Afrocentric gem." NME (Magazine) (3/4/00, p.36) - 7 out of 10 - "...an unfashionably political album that screams for change and a return to Afro-centric values in rap....a refreshing change to the current glut of buddy-boy, backslapping rap records. 'Vive la revolution' - fight the power."Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 28 July, 2003Label: ZCUOODimensions: 14.2 x 1 x 12.5 centimeters (0.10 kg)

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