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TERRAPLANE (TRANSPARENT GOLD VINYL)

An obsessive creative, Aaron Lee Tasjan writes pop songs with a twist, a little overdriven, far too honest at times. He updates the idea of androgyny but dispels the emotional and social ambiguity with lyrics that reflect his own geographic and artistic wanderings. You get the sense over 'Tasjan! Tasjan! Tasjan!'s' eleven songs that the man who began the album is not the same man who completed it, transformed both by the experiences that inspired the songs and crafting them. This is not anxious music for anxious times, but rather music as an antidote for anxious times. It is the sound of the future arriving.

Tasjan! Tasjan! Tasjan!

LOW HIGHWAY (BUTTER CREAM VINYL)

On August 20, 2020 the world lost an amazing light with the passing of Justin Townes Earle. Justin was a vibrant songwriter who could play the blues, country, and rock 'n' roll all in the same song. In his short career, Justin released eight albums and one EP that all manage to sound classic and yet inventive. Justin's father, Steve Earle, pays tribute to his son by recording an album of songs written by Justin titled, 'J.T.' The album consists of ten Justin Townes Earle songs as well as one song written by Steve Earle shortly after Justin's passing. 'J.T.' features fan favourites such as 'Harlem River Blues', 'Far Away in Another Town' and 'Champagne Corolla', along with lyrically heavy songs like 'The Saint of Lost Causes' and 'Turn Out My Lights'. 'J.T.' is a loving tribute to a loved son and beautiful songsmith who left this earth too early. But in his wake, Justin left a wealth of beauty. All proceeds from this release will be put into a trust for Justin's 3 year old daughter, Etta.

J.T.

WASHINGTON SQUARE SERENADE (METALLIC GOLD colour VINYL)

I'LL NEVER GET OUT OF THIS WORLD ALIVE (CHERRY RED colour VINYL)

SONGS MY FRIENDS WROTE

SET SAIL

PLAN 9 RECORDS JULY 13, 2006 (3LP)

JERRY JEFF

Dwight Yoakam 21st Century Hits: Best of 2000-2012 CD. Liner Note Author: Holly George-Warren. Photographers: Margaret Malandruccolo; Randee St. Nicholas; Cambria Harkey; Emily Joyce. The title 21st Century Hits: Best of 2000-2012 is likely meant with a wink, as Dwight Yoakam hasn't exactly burned up the charts in the new millennium. He left Reprise after 2000's Tomorrow's Sounds Today (the soundtrack to South of Heaven, West of Hell appeared the next year but it's hard to count that as an official release), then released Population Me on Audium Records in 2003 before moving to New West in 2005, releasing Blame the Vain that year and the tribute album Dwight Sings Buck two years later. That's a total of three albums in a decade -- Dwight returned to the label in 2012 for 3 Pears -- and there were just four charting singles among them: "The Late Great Golden State," "The Back of Your Hand," "Intentional Heartache," and "Blame the Vain," not one of them placing higher than 52 on the country charts. That's pretty thin gruel for a compilation, so 21st Century Hits bends the rules a little bit, adding his rockabilly cover of Queen's "Crazy Little Thing Called Love" -- his last genuine hit single, but it peaked at 12 in 1999, so it merits inclusion here by appearing on the soundtrack to the 2006 Jennifer Aniston/Vince Vaughn film The Break-Up -- a cut from Tomorrow's Sounds Today ("The Sad Side of Town"), a cut from 3 Pears (the terrific "A Heart Like Mine"), and "Long Goodbye," a previously unreleased duet with Michelle Branch that aims for a crossover and may have gotten there if it had a discernable melody. Its inclusion is nice for the sake of completeness and it also underscores how Yoakam wasn't especially focused during the first decade of the 21st century. He certainly made good music, much of it included here -- this samples nicely from Population Me and Blame the Vain but Dwight Sings Buck deserves to be heard in its entirety -- and one of the nice things about the collection is how it never suggests how it took Dwight a little while to find his footing after he parted ways with longtime collaborator producer Pete Anderson after Population Me. By squeezing a decade or so to 14 songs, 21st Century Hits condenses Dwight's transitional years into a solid little record; anybody who came back aboard through 3 Pears will find it useful. ~ Stephen Thomas Erlewine

YOAKAM DWIGHT 21ST CENTURY HITS: BEST OF 2000-2012 COMPACT DISCS NEWW6294.2

TOWNES: THE BASICS (GOLD VINYL)

The Songs for Slim series was constructed in order to raise money for former Replacements guitarist Slim Dunlap's medical costs, the result of a massive right brain stroke he suffered in 2012. Fellow Replacements members Paul Westerberg and Tommy Stinson reunited and recorded an original Slim Dunlap song plus three additional covers. Original Replacements drummer Chris Mars also recorded a Slim cover and all five tracks were combined on a limited edition run of 250 numbered copies of 10" vinyl EPs.

Songs For Slim

Performer Notes: <ul><li>Personnel: Billy Joe Shaver (vocals, guitar); Eddy Shaver (guitar); Jimmy Lester (drums).</li><li>Audio Mixers: Chet Himes; Gary Briggs .</li><li>Liner Note Author: Terry Lickona.</li><li>Recording information: 08/14/1984.</li><li>Director: Gary Menotti.</li><li>Editor: Gary Laird.</li><li>Photographer: Scott Newton.</li><li>Essentially, Billy Joe Shaver's Live from Austin Texas is a reissue of the DVD New West released in 2006, with a compact disc added as a companion piece. This Austin City Limits show from 1984 presented Billy Joe and his then-22-year-old guitar-wizard son Eddy (now deceased), and the rhythm section of Kenny Hoelscher on bass and drummer Jimmy Lester. Together they offer a sublime 15-song set loaded with Shaver classics: "Ride Me Down Easy," "I Been to Georgia on a Fast Train," "Willy the Wandering Gypsy and Me," "I'm Just an Old Chunk of Coal," and "Old Five and Dimers Like Me" are among their number. But it's not just a Shaver best-of that makes this such a sublime document: it's the interaction of Eddy's guitar playing with his dad's songs, and the sheer pride and joy the songwriter is experiencing -- in the moment -- at having his son on-stage with him. Eddy isn't as given to overplaying as he was at later times in his life. His licks and fills are intuitive, inspired, and full of emotion, underscoring Billy Joe's every line with bluesy authority. (Check his killer solos and "Street Walkin' Woman.") The rhythm section is solid; they keep it swinging and strolling and in the pocket. While some of these songs are more uptempo than the studio originals, they are served exceptionally well by their treatment here. One listen to the performance of "Oklahoma Wind" near the end of the set is easily the best recorded version we have, and is worth the price of admission alone. For those who've already purchased the DVD, this may or may not be worth investing in again. For anyone who hasn't, this is easily the most essential Shaver live document out there. One can hear in Billy Joe's voice none of the worldweariness that has haunted it since Eddy's death; it's full of hope and hunger. This particular group was the perfect vehicle to get his songs across, not just to an Austin City Limits audience, but to those across America via its public television affiliates. ~ Thom Jurek</li></ul>Producer: Terry Lickona, Cameron Strang, Gary BriggsFormat: DVD (1 Disc); StereoCountry: USAStudio/Live: LiveRelease Date: 22 March, 2012Label: New West RecordsDimensions: 13.2 x 1.1 x 14.2 centimeters (0.06 kg)

Live From Austin, TX (CD + DVD)

The time is now for Caroline Rose. Their last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose's personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.

The Art of Forgetting

What Matters Most - Ben Folds - "More than anything, I wanted to make an album that was generous, that was useful," says Ben Folds. "I want you to finish this record with something you didn't have when you started." Indeed, Folds' masterful new collection, What Matters Most, isn't so much a statement as it is an offering, an open hand reaching out to all those wounded and bewildered by a world that seems to make less and less sense every day. Recorded in East Nashville with co-producer Joe Pisapia, the album marks Folds' first new studio release in eight years, and it's a bold, timely, cinematic work, one that examines the tragic and the absurd in equal measure as it reckons with hope and despair, gratitude and loss, identity and perspective. The songs are bittersweet here, hilarious at times, but often laced with a quiet sense of longing and dread: a text message goes unanswered; an old classmate descends into the dark depths of internet conspiracies; a relationship unravels in the middle of a lake. And yet, taken as a whole, the result is an undeniably joyful record that refuses to succumb to the weight of the world around it, an ecstatic reminder of all the beauty and promise hiding in plain sight for anyone willing (and present enough) to recognize their moments as they arrive.

What Matters Most

Performer Notes: <ul><li>Recording information: Austin City Limits Studios; Quad Recording Studios, New York, NY.</li><li>Authors: Roy Marinell; Danny Goldberg; Crystal Zevon; Jackson Browne; Jon Landau; Jordan Zevon; Warren Zevon; Bones Howe; Bruce Springsteen.</li><li>Photographers: Susie Delaney; Crystal Zevon; Jordan Zevon.</li><li>Discovered after Warren Zevon's 2003 death by his son Jordan, these tracks are a well-selected sampling of demos and outtakes recorded in the early (i.e. pre-1980s) part of the beloved singer-songwriter's career. While the collection provides alternate versions of Zevon classics, including an almost-reggae-like rendition of "Werewolves of London" and a beautifully woeful take on "Carmelita," it also presents previous unreleased gems, most notably the spare, melancholy songs "Studebaker" and "The Rosarita Beach Cafe," both performed by Zevon with minimal accompaniment. These tracks alone are more than enough to delight aficionados of the charmingly odd performer, but PRELUDES also features a bonus disc with a revealing 2000 interview, making the set essential for any devoted fan.</li></ul>Professional Reviews: Uncut (p.127) - 4 stars out of 5 -- "[PRELUDES] provides a rare peek into Zevon's shadowy pre-Elektra era....The most revelatory moments lie within its unique compositions."Producer: Jody Denberg, Paul Q. Kolderie, Sean Slade, Peter Jesperson (Compilation)Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 27 April, 2007Label: New West RecordsDimensions: 14.4 x 1.7 x 13.2 centimeters (0.11 kg)

Preludes: Rare and Unreleased Recordings

BEGINNING

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm-a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. "I'd be pushing a plow or scattering seeds, and the songs would just come to me," he recalls. "It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form." While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. "The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head-they're all very colorful," says LaFarge. "I used to think of my music in dark blue, but now I see it in technicolor." Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

Rhumba Country

I've been wanting to make a record like this for a long time. The band, Franny and I produced it ourselves in my living room with no adults present. It's all acoustic, not an electric lick on the album... banjos and mandos and string basses and stripped-down drums. I put a ton of work into the tunes and I'm pretty proud of this batch. Had a little help from my old co-writing pal Jaida Dreyer on a couple, also wrote a good one with my screenwriter buddy, Brian Koppelman. Lots of gambling songs and lots of minor keys. And my band guys absolutely killed it too, they're all badasses. I'm dedicating the record to my old compadre, Ian Tyson, who passed away a few months back. I've named the album for him as well. 'El Viejo', or 'the old one' is what our mutual friend Tom Russell took to calling him in later years. The title track is a pretty special one for us. We had a blast making this thing, and we hope you enjoy it too.

El Viejo

2023 release. The time is now for Caroline Rose. Their last record, Superstar, was released in 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose's personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.

Billy Joe Shaver's songs were stories of his life; they were real, and they were raw. Many artists have covered Billy Joe songs over the years. From Willie to Waylon to Elvis and Cash. Billy Joe's influence on some of the greatest of artists is what inspired this project. Now, with Live Forever: A Tribute to Billy Joe Shaver a whole new batch of artists and songwriters are taking their cut at one of the greatest songwriting catalogs of all time. This album is a testament to Billy Joe's words and the deep impact they had on so many wonderful songwriters and performers. He's a hero to so many, and New West is honored to pay homage to the legacy of Billy Joe Shaver. Just like the songs he left behind him, he's gonna live forever now.

Live Forever: A Tribute To Billy Joe Shaver (Various Artists)

2023 release. Says Rodney Crowell: "It's just me and the band in a room together, loose and live and having fun." Produced by Wilco's Jeff Tweedy, The Chicago Sessions is indeed a throwback to Crowell's early days of making records, but it's no nostalgia trip. The songs here are vital and timely, touching on everything from love and mortality to race and religion, and the performances are nothing short of intoxicating, fueled by raw guitars, honky-tonk piano, and tight, punchy drums. Tweedy wields a light touch as a producer, his influence subtle yet unmistakable, and engineer Tom Schick's mixes are dynamic and alive, alternately lush and spacious in all the right places with a spotlight fixed firmly on Crowell's warm, weathered vocals throughout. Put it all together and you've got a masterful, cross-generational collaboration that manages to feel both fresh and familiar all at once, an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn."

The Chicago Sessions

Chuck Prophet - No Other Love [CD]<ul><li>Genre: Popular Music</li></ul><ul><li>Chuck Prophet - No Other Love [CD]</li></ul>

No Other Love

The debut album from accomplished guitarist and songwriter Jason Isbell, formerly of Drive By Truckers (DBT), is reissued with 4 unreleased tracks from the original recording sessions. The addition of those 4 extra songs finds Sirens Of The Ditch clocking in at 15 total tracks. - Sirens Of The Ditch's mystical quality can be partially attributed to the FAME recording studio (Aretha Franklin, Duane Allman, Otis Redding) in Isbell's hometown of Muscle Shoals, AL where the album was recorded. Co-produced by Isbell and Patterson Hood (DBT), Sirens Of The Ditch features Isbell singing lead vocals and playing guitar throughout, joined by Shonna Tucker (Formerly of DBT) on Bass and Brad Morgan (DBT) on drums. Several musicians pop in for cameos including Spooner Oldham and David Hood (Patterson's father) on "Down In A Hole", John Neff (Formerly of DBT) on "Dress Blues" and Patterson himself guests on "Shotgun Wedding".

Sirens Of The Ditch

NEON BLUE

CROWELL, RODNEY CROWELL - CHICAGO SESSIONS - Take a look at the cover of Rodney Crowell's brilliant new album, The Chicago Sessions, and you might recognize a familiar callback to the legendary songwriter's 1978 debut. "In a lot of ways, this album feels like that very first record to me, " Crowell reflects. "When my daughter Chelsea suggested we lay the artwork out similarly, the connection made perfect sense. There's something very simple, very innocent about it. It's just me and the band in a room together, loose and live and having fun." Produced by Wilco's Jeff Tweedy, The Chicago Sessions is indeed a throwback to Crowell's early days of making records, but it's no nostalgia trip. The songs here are vital and timely, touching on everything from love and mortality to race and religion, and the performances are nothing short of intoxicating, fueled by raw guitars, honky-tonk piano, and tight, punchy drums. Tweedy wields a light touch as a producer, his influence subtle yet unmistakable, and engineer Tom Schick's mixes are dynamic and alive, alternately lush and spacious in all the right places with a spotlight fixed firmly on Crowell's warm, weathered vocals throughout. Put it all together and you've got a masterful, cross-generational collaboration that manages to feel both fresh and familiar all at once, an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn.

This performance by Waylon Jennings was no April Fool's joke. This was the "new" Waylon, both personally and professionally. He had kicked a 20-year drug habit, split with RCA, and signed a new deal with MCA Records. He discovered a passion for songwriting, teamed with legendary producer Jimmy Bowen, and produced some of the best work of his 30-year-plus career. He credited his wife and soul mate, Jessie Colter, for much of his inspiration. This was Waylon's second trip to the ACL stage, but the one that best captures the raw edge and driving urgency that pushed country music way past its Nashville boundaries starting in the mid-1970's. He was described as the leader of the country "Outlaw" movement, which he often dismissed as just another marketing scam, but there's no denying that he turned the music on its head and took it way beyond its rural southern roots. This West Texas boy who worked as a DJ and started his own band at 14, then later played with Buddy Holly, left an indelible mark on the music he loved. He was a class act, this man called Hoss. -Terry Lickona (Producer Austin City Limits) Combo includes DVD video and audio CD Remastered in 5.1 DTS surround sound and 2.0 stereo NTSC, Region Free 56 mins Live from Austin, TX: Waylon Jennings by Waylon Jennings TRACKLIST: I'm A Ramblin' Man Rainy Day Woman America I May Be Used (But Baby I Ain't Used Up) Amanda Me And Bobby McGee Trouble Man Mamas Don't Let Your Babies Grow Up To Be Cowboys Good Ol' Boys (Theme from Dukes of Hazard) Bob Wills Is Still the King Are You Sure Hank Done It This Way Suspicious Minds Honky Tonk Angels Good Hearted Woman I've Always Been Crazy Luckenbach, Texas (Back To The Basics Of Love) I Ain't Living Long Like This Recorded April 1, 1989 * Note: Product images may vary slightly from actual product. Images are for demonstration purposes only.

Live From Austin, TX '89 (CD + DVD)

The Drive-By Truckers performance on AUSTIN CITY LIMITS was an instant classic. Recorded during their BRIGHTER THAN CREATION'S DARK tour, the band line-up featured is Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez. Formed in 1996, these southern rockers are known for their three-guitar attack. The 13 songs recorded for AUSTIN CITY LIMITS features a mix of new songs from BRIGHTER THAN CREATION'S DARK alongside DBT classic \\Let There Be Rock\\ and \\18 Wheels of Love\\ and \\Marry Me\\.<li>Artist: Drive-By Truckers</li><li>Format: CD</li><li>Release Date: 7/7/2009</li><li>LABEL: New West Records</li><li>NUMBER OF DISCS: 2</li><li>GENRE: Rock</li><li>RELEASE DATE: 7/7/2009</li>

NEW WEST RECORDS DRIVE-BY TRUCKERS LIVE FROM AUSTIN TEXAS (W/DVD) (DIG) COMPACT DISCS NEWW6168.2

Tracks: Cry to Me All the Way to the River Aces Up Your Sleeve Poor Imitation of God Nothing in My Heart Over the Hill Outrunning My Soul Hide Your Tears The Odds of Loving You One Stiff Breeze Robber's HighwayFormat: VINYLRelease Date: 12 October, 2018Label: New West RecordsDimensions: 31.3 x 1.5 x 31.7 centimeters (0.37 kg)

The Eclipse Sessions

Performer Notes: <ul><li>It's been quite some time since North America has produced a folk duo as engaging as Kacy & Clayton, and after releasing two subtle but beautifully accomplished albums -- 2013's The Day Is Past and Gone and 2015's Strange Country -- the pair has made it a hat trick with 2017's The Siren's Song. While the third album doesn't break a great deal of new ground for Kacy Anderson and Clayton Linthicum, it certainly consolidates their strengths as both songwriters and performers, and the fusion of '70s-style folk and high lonesome country accents is every bit as sublime as it was on Strange Country (and Linthicum's pedal steel work is even stronger on this set). The proportions are a bit different here, with the country side of their formula sounding more prominent than before, but the sweet and elegant sadness of Anderson's vocals remains a wondrous thing, and her harmonies with Linthicum are rich and almost heartbreaking on sadder numbers like "A Certain Kind of Memory." While eight of these nine songs are Kacy & Clayton originals (the closer, "Go and Leave Me," is a new arrangement of an old folk tune), they sound as if they could have been drawn from a stack of dusty old LPs that have been on the shelf since 1971. They evoke their chosen era with a master's touch and without sounding entirely beholden to their influences. Not unlike Gillian Welch and David Rawlings, Kacy & Clayton evoke a sound from the past, but use it as a jumping-off point to make music that is full of freshness and life, and that's just what they accomplish on The Siren's Song. Jeff Tweedy produced the set, and he and engineer Tom Schick give these recordings a clear, warm sound that's an ideal match for the music. The Siren's Song is perhaps a bit too gentle in its attack to make Kacy & Clayton stars, but anyone with an interest in modern-day folk music will be happily mesmerized by it. ~ Mark Deming</li></ul>Professional Reviews: Uncut - "A cultured collision of agile folk and vivid psych-country, its sound is toughened by the addition of bassist Shuyler Jansen and drummer Mike Silverman."Format: Vinyl (1 Disc)Country: USAStudio/Live: StudioRelease Date: 18 August, 2017Label: New West RecordsDimensions: 31.1 x 0.7 x 31.2 centimeters (0.27 kg)

New West Records(33)

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