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Soundtrack album by the legendary British rock band. Released as a companion to the band's documentary film of the same name, the album serves as a retrospective look at the band's biggest hits throughout their career to the point it was released. Most of the tracks are live recordings, rather that the original studio versions.

The Kids Are Alright [2 LP]

Loretta Lynn Honky Tonk Girl: The Loretta Lynn Collection [Box] CD. 0. DISC 1: 1. I'm a Honky Tonk Girl 2. Whispering Sea 3. Success 4. Before I'm over You 5. Other Woman, The 6. This Haunted House 7. Wine, Women and Song 8. Mr. & Mrs. Used to Be 9. Happy Birthday 10. Blue Kentucky Girl 11. Our Hearts Are Holding Hands 12. Home You're Tearin' Down, The 13. Dear Uncle Sam 14. You Ain't Woman Enough (To Take My Man) 15. Man I Hardly Know, A 16. Talking to the Wall 17. These Boots Are Made for Walkin' 18. Darkest Day, The 19. Devil Gets His Due, The 20. Shoe Goes on the Other Foot Tonight, The 21. Tommorow Never Comes 22. If Loneliness Can Kill Me 23. Don't Come Home a Drinkin' (With Lovin' on Your Mind) 0. DISC 2: 1. There Goes My Everything 2. If You're Not Gone Too Long 3. What Kind of Girl (Do You Think I Am?) 4. Who Says God Is Dead! 5. Fist City 6. You've Just Stepped In 7. Your Squaw Is on the Warpath 8. Woman of the World (Leave My World Alone) 9. Love L-O-V-E 10. Who's Gonna Take the Garbage Out 11. Coal Miner's Daughter 12. You Wanna Give Me a Lift 13. Wings Upon Your Horns 14. One You Need, The 15. Deep as Your Pocket 16. Crazy Out of My Mind 17. I Know How 18. After the Fire Is Gone 19. Lead Me On 20. I Wanna Be Free 21. You're Lookin' at Country 22. One's on the Way 23. Rated X 0. DISC 3: 1. Back Street Affair 2. Blueberry Hill 3. Morning After Baby Let Me Down, The 4. It'll Feel Good When It Quits Hurtin' 5. Here I Am Again 6. Pill, The 7. Ain't It Funny 8. Love Is the Foundation 9. As Soon as I Hang Up the Phone 10. What Sundown Does to You 11. Hey Loretta 12. Trouble in Paradise 13. They Don't Make 'Em Like My Daddy Anymore 14. When the Tingle Becomes a Chill 15. Letter, The 16. Out of My Head and Back in My Bed 17. Somebody Somewhere (Don't Know What He's Missing Tonight) 18. She's Got You 19. Why Can't He Be You 20. I Can't Feel You Anymore 21. You're the Reason Our Kids Are Ugly 22. I've Got a Picture of Us on My Mind 23. I Lie 24. Who Was That Stranger

Loretta Lynn Honky Tonk Girl: The Loretta Lynn Collection [Box] CD

Performer Notes: <ul><li>Trixter: Peter Loran (vocals); Steve Brown (guitars, background vocals); P.J. Farley (bass); Mark "Gus" Scott (drums).</li><li>Engineers include: Brian Foraker, Dennis McKay, John Karpowich.</li><li>Personnel: Steve Brown (vocals, guitar); Peter Loran (vocals); Mark Scott (drums).</li><li>Audio Mixer: Brian Foraker.</li><li>Recording information: Battery Studios, New York, NY; Sound City Studios, Los Angeles, CA; Track Records, North Hollywood, CA; Village Recorders, Los Angeles, CA.</li><li>Illustrator: Neal Adams.</li><li>Photographers: Mick Rock ; Michael Lavine.</li><li>In the late '80s and early '90s, MCA Records wasn't as commercially successful in rock as it was in urban contemporary, and sought to remedy that by signing an abundance of hard rock bands. While a few had potential (including Sweet FA), most were formula-driven and painfully generic. One embarrassing example is Paramus, NJ's Trixter, whose songs were along the lines of another Jersey band, Bon Jovi, but not nearly as memorable. The fact that this self-titled debut did enjoy some airplay on album-rock stations certainly wasn't due to originality. Forgettable and pedestrian, songs like "Bad Girl," "Play Rough" and "One in a Million" exemplify MCA's formulaic, assembly-line approach to "corporate" hard rock at the dawn of the '90s. With the rise of alternative rock a few years later, Trixter would be all but forgotten. ~ Alex Henderson</li></ul>Producer: Bill WrayFormat: CD (1 Disc)Country: USAStudio/Live: StudioRelease Date: 10 May, 1990Label: McADimensions: 12.6 x 1.1 x 14 centimeters (0.01 kg)

Trixter

Performer Notes: <ul><li>Personnel: Patsy Cline (vocals); Randy Hughes, Grady Martin, Ray Edenton (guitar); Walter Haynes (steel guitar); Charlie McCoy (harmonica); Hargus "Pig" Robbins, Floyd Cramer (piano); Bill Pursell (organ); Bob Moore, Harold Bradley (bass); Buddy Harman (drums); The Jordanaires (background vocals).</li><li>Includes liner notes by Jay Orr and Don Roy.</li><li>All tracks have been digitally remastered.</li><li>Personnel: Patsy Cline (vocals); Grady Martin (electric guitar); Walter Haynes (steel guitar); Charlie McCoy (harmonica); Floyd Cramer, Hargus "Pig" Robbins (piano); Bill Pursell (organ); Bob Moore (acoustic bass); Harold Bradley (electric bass); Buddy Harman (drums); Ray C. Walker, The Jordanaires, Neal Matthews, Gordon Stoker, Hoyt Hawkins (background vocals).</li><li>Audio Remasterers: Glenn Meadows; James Loyd; Benny Quinn; Milan Bogdan.</li><li>Liner Note Authors: Jay Orr; Don Roy.</li><li>Recording information: 1962.</li><li>There is an exact blend of country and pop that went into the classic albums by this enchanting country songstress. Anyone capable of reproducing this formula would be followed everywhere by country artists and pop stars. Unfortunately, what actually happened in the era of this music's first wave of popularity was that everyone cooked up an individual recipe. And many of these productions had as much good taste as spaghetti sauce does after someone stirs in the burned bits from the bottom of the pan. Producer Owen Bradley's approach to Patsy Cline does have its moments of bad taste as well, and even the biggest fans of these albums will have moments when they will wish the male vocal chorus had gotten caught in traffic somewhere in the pretzel of Nashville's freeway system. Air and forget these complaints, because what is here is a rare type of country music that maintains its identity without marching forward with the usual troops of pedal steel and twangy guitars. The combo sound that is created has an incredibly light swing -- the drummer is often using brushes -- and there is an effortless sense of propulsion through rhythm arrangements both catchy and intelligent. What she and the musicians do with the numbers by Hank Williams is nothing short of a revelation, while the ballads such as "Lonely Street" are done with a moody flair that has never quite been matched. ~ Eugene Chadbourne</li></ul>Producer: Owen BradleyFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 2 May, 1988Label: GeffenDimensions: 14 x 0.6 x 14 centimeters (0.01 kg)

Sentimentally Yours

David Crosby/Graham Nash/Crosby & Nash Whistling Down the Wire [Remaster] CD. Personnel: Graham Nash (vocals, acoustic & electric guitars, harmonica); David Crosby (vocals, acoustic guitar); David Lindley (electric, slide & pedal steel guitars, violin, viola); Danny Kortchmar (electric guitar, dobro); Laura Allen (zither); Craig Doerge (glass harmonica, acoustic & electric pianos, organ); Tim Drummond (bass); Russ Kunkel (drums, percussion). Producers: David Crosby, Graham Nash. Reissue producers: Stephen Barncard, Mike Ragogna. Recorded at The Sound Labs, Los Angeles, California; Rudy Records, San Francisco, California. Includes liner notes by Steve Silberman. Digitally remastered by Erick Labson (1999, MCA Music Media Studios). Personnel: Graham Nash (vocals, guitar, acoustic guitar, electric guitar, harmonica, keyboards); David Crosby (vocals, guitar, acoustic guitar); James Taylor (vocals); David Lindley (guitar, electric guitar, slide guitar, violin, viola); Danny Kortchmar (guitar, electric guitar, dobro); Craig Kinlers, Ben Keith, Joel Bernstein (guitar); Laura Allen, Laurie Allan (zither); Craig Doerge (piano, electric piano, organ, keyboards, glass armonica); Stan Szelest, Carole King (keyboards); Russ Kunkel (drums, snare drum, percussion). Liner Note Authors: Graham Nash; Steve Silberman. Recording information: Sound Labs, LA, CA & Rudy Recor. Photographers: Lesley Foster Barncard; Joel Bernstein. The follow-up to Crosby and Nash's best-selling declaration of independence WIND ON THE WATER, WHISTLING DOWN THE WIRE is very much of a piece with its predecessor, down to the similarly alliterative titles; in fact, some of the instrumental tracks were cut during sessions for the earlier album. As before, Crosby's songs have a slightly jazzier feel than Nash's overt pop tunes, and the overall ambiance is creamy, mostly acoustic California folk-rock, with the stars' gorgeous Everly Brothers-inspired harmonies way up front. Standout tracks include Crosby's "Dancer," a harmonically complex piece with wordless, almost scat vocals, whose opening riff recalls the Hollies' "King Midas in Reverse." Nash's surprisingly acerbic "Mutiny," a dig at colleagues Stephen Stills and Neil Young, features a howling CSNY-style guitar duel between Danny Kortchmar and David Lindley.

David Crosby/Graham Nash/Crosby & Nash Whistling Down the Wire [Remaster] CD

Under a Sun\nLabel/Studio: MCA\nAlbum Format: CD\r\nUPC: 731458603429\nRelease date: 2001-09-25

Under a Sun

Neil Diamond Tap Root Manuscript CD. 1. Cracklin' Rosie 2. Free Life 3. Coldwater Morning 4. Done Too Soon 5. He Ain't Heavy, He's My Brother 6. Childsong 7. I Am the Lion 8. Madrigal 9. Soolaimon 10. Missa 11. African Trilogy 12. Childsong (Reprise)

Neil Diamond Tap Root Manuscript CD

Tracks: Choo Choo Ch'Boogie At the Swing Cat's Ball Flat Face - (TRUE instrumental) Keep a Knockin' Swingin' in a Coconut Tree - (TRUE instrumental) Doug the Jitterbug Chicks I Pick Are Slender, Tender and Tall, The All for the Love of Lil Reet Petite and Gone Barnyard Boogie Have You Got the Gumption? Chicky-Mo, Craney-Crow You're Much Too Fat (And That's That) Safe, Sane and Single Onion - (TRUE instrumental) Beans and Corn Bread School Days (When We Were Kids) It's a Great, Great Pleasure Hog Wash (Crazy 'Bout) LollypopPerformer Notes: <ul><li>Personnel includes: Louis Jordan (vocals, alto & baritone saxophones); Josh Jackson, Lem Johnson, James Wright, Eddie Johnson, Maxwell Davis, Lowell Hastings (tenor saxophone); Aaron Izenhall, Courtney Williams, Eddie Roane, Bob Mitchell (trumpet); Wild Bill Davis, Bill Doggett, Clarence Johnson (piano); Charlie Drayton, Jesse Simpkins, Dallas Bartley, Billy Hadnott (bass); Eddie Byrd, Walter Martin, Joe "Chris Colombus" Morris (drums).</li><li>Producers include: Milt Gabler, J. Mayo Williams.</li><li>Compilation producers: Peter A. Grendysa, Andy McKaie.</li><li>Recorded between 1946 & 1954. Includes liner notes by Peter A. Grendysa.</li><li>All tracks have been digitally remastered.</li><li>Personnel: Louis Jordan (alto saxophone, baritone saxophone); Bert Payne, Carl Hogan , James Jackson, Bill Jennings (electric guitar); James Wright , Lowell Hastings, Lem Johnson, Maxwell Davis, Josh Jackson (tenor saxophone); Earle Warren (baritone saxophone); Courtney Williams, Aaron Izenhall, Eddie Roane, Bob Mitchell (trumpet); Chester Lane, Clarence Johnson , Arnold Thomas, Bill Doggett (piano); Eddie Byrd, John Kirkwood, Walter Martin (drums).</li><li>Liner Note Author: Peter Grendysa.</li><li>Recording information: LA, CA (03/29/1938-01/04/1954); New York, NY (03/29/1938-01/04/1954).</li><li>Released as an attempt to cash in on the swing revival that swept through America in the late '90s, MCA's At the Swing Cat's Ball contains 12 songs that spotlight Louis Jordan's hardest-swinging material. Since Jordan towered above most jump blues practitioners in the '40s, it's easy to enjoy the compilation, even if you question the reasons behind its assembly. Since it concentrates on swinging material, it isn't a strict hits compilation (even though there are hits here), but that probably won't bother Generation Y swingers, whom this compilation is clearly targeted at. ~ Stephen Thomas Erlewine</li></ul>Format: CD (1 Disc); MixedCountry: USAStudio/Live: StudioRelease Date: 1 August, 1999Label: MCADimensions: 12.5 x 14.2 x 1 centimeters (0.11 kg)

At the Swing Cat's Ball [Remaster]

Performer Notes: <ul><li>2 LPs on 1 CD: J.J.D (JOHNNY JUST DROP) (1977)/UNNECESSARY BEGGING (1976).</li><li>Personnel includes: Fela Kuti (vocals, alto & tenor saxophones, piano); Ogene Kologbo, Leke Benson (guitar); Christopher Uwaifor (tenor saxophone); Lekan Animashaun (baritone saxophone); Tunde Williams (trumpet); Franco Aboddy (electric bass); Tony Allen (drums); Henri Kafi, Nicholas Addo (congas); Isaac Olaley (maracas).</li><li>Producer: Fela Kuti</li><li>Reissue producer: Jean-Pierre Haie</li><li>Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu.</li><li>Digitally remastered by Pompon (Translab Paris, Paris, France).</li><li>Personnel: Fela Kuti & Africa 70 (vocals, alto saxophone, tenor saxophone, piano); Christopher Uwaifor (tenor saxophone); Lekan Animashaun (baritone saxophone); Tunde Williams (trumpet); Franco Aboddy (bass guitar); Tony Allen (drums); Nicholas Addo-Nettey, Henry Kofi, Shina Abiodun (congas); Isaac Olaleye (maracas).</li><li>Liner Note Authors: Mabinuori Idowu; Rikki Stein.</li><li>Recording information: Kalakuta Republik.</li><li>Photographer: Bernard Matussiere.</li><li>Arranger: Fela Kuti & Africa 70.</li><li>A two-LP set, J.J.D. consists solely of one 22-minute song, "J.J.D. (Johnny Just Drop)." It actually isn't much different in length than most of Fela Kuti's releases from this era (which usually contained two songs adding up to half-an-hour), but still made for rather short value. The song is decent enough, making extensive use of a live crowd and busy hand-drummed rhythm at the beginning, then gliding into a typical (if very long) Afro-funk-jazz vamp. The title track of the two-song, half-hour Unnecessary Begging has an uncommonly (for Kuti) slow-burning tempo that effectively maintains its slow, moody pace as instruments drop in and out. Philosophically, Kuti takes his usual stance here -- not that it's a bad one -- deploring poverty and government inadequacy. His trademark weird electric keyboards are heard near the conclusion, sounding like a warped record that's out of sync with the rest of the track. The other song, "No Buredi (No Bread)," is a bit more uptempo and, in its favor, makes greater use of those indefinably strange keyboards, which have an extraterrestrial quality when heard at length. ~ Richie Unterberger</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: LiveGuest Artist: Afrika 70Release Date: 24 July, 2001Label: BARCLAYDimensions: 14.6 x 1.1 x 12.7 centimeters (0.09 kg)

J.J.D./Unnecessary Begging

Muddy Waters Fathers and Sons [Expanded] [Remaster] CD. 1. All Aboard 2. Mean Disposition 3. Blow Wind Blow 4. Can't Lose What You Ain't Never Had 5. Walkin' Through the Park 6. Forty Days and Forty Nights 7. Standin' Round Cryin' 8. I'm Ready 9. Twenty Four Hours 10. Sugar Sweet 11. Country Boy - (previously unreleased) 12. I Love the Life I Live, I Live the Life I Love - (previously unreleased) 13. Oh Yeah - (previously unreleased) 14. I Feel So Good - (previously unreleased) 15. Long Distance Call 16. Baby Please Don't Go 17. Honey Bee 18. Same Thing, The 19. Got My Mojo Working (Part 1) 20. Got My Mojo Working (Part 2)

Muddy Waters Fathers and Sons [Expanded] [Remaster] CD

Tracks: I'll Remember You What Becomes Of The Brokenhearted Cherish Danger Heartbreak Dead Ahead Rooster Blues Barbeque Bess If I Can Help Somebody Cool Down Yonder Cherish Ghost Train (Main Title) Visiting Ruth A Charge To Keep I HavePerformer Notes: <ul><li>Personnel includes: Thomas Newman (conductor).</li><li>Original score composed by Thomas Newman.</li></ul>Producer: Jon Avnet, Jordan Kerner, Hal Willner, John Vigran, Anthony Heilbut, Arthur Baker, Thomas NewmanFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 14 July, 2009Label: MCA (USA)

Fried Green Tomatoes

<div>Various Artists - The Best Little Whorehouse in Texas (Original Soundtrack) [COMPACT DISCS]</div> Artist: Various ArtistsTitle: The Best Little Whorehouse in Texas (Original Soundtrack)Condition: NewFormat: COMPACT DISCSRelease Date: 1990Label: MCAUPC: 076731100722 Genre: SoundtrackAlbum Tracks 1. 20 Fans - Jim Nabors 2. A Lil' Ole Bitty Pissant Country Place - Dolly Parton/Teresa Merritt/The Whorehouse Girls and Customers 3. Sneakin' Around - Dolly Parton/Burt Reynolds 4. Watchdog Report/Texas Has a Whorehouse in It - Dom Deluise and the Dogettes 5. Courtyard Shag - the Best Little Whorehouse in Texas 6. The Aggie Song - the Best Little Whorehouse in Texas 7. The Sidestep - Charles Durning 8. Hard Candy Christmas - Dolly Parton and the Whorehouse Girls 9. I Will Always Love You - Dolly Parton&copy; DirectToU LLC. All Rights Reserved.

Various Artists - The Best Little Whorehouse in Texas (Original Soundtrack)  [COMPACT DISCS]

Tracks: Dead Man's Party When The Lights Go Out Gratitude Skin Flesh 'N Blood Not My Slave Stay Sweat No Spill Blood [1988 Boingo Alive Version] Out Of Control Weird Science No One Lives Forever Wild Sex (In The Working Class) [1988 Boingo Alive Version] Just Another Day Who Do You Want To Be Only A Lad Goodbye\x96GoodbyePerformer Notes: <ul><li>Oingo Boingo: Danny Elfman (vocals, guitar); Carl Graves (vocals, keyboards); John Avila (vocals, bass); Steve Bartek (guitar); Sam Phipps (soprano & tenor saxophone); Leon Schneiderman (baritone saxophone); Dale Turner (trumpet, trombone); Johnny "Vatos" Hernandez (drums, percussion).</li><li>Additional personnel: Bruce Fowler (trombone); Mike Racich (keyboards).</li><li>Producers: Danny Elfman, Steve Bartek, John Avila, Paul Ratejczak.</li><li>Personnel: Danny Elfman (vocals, guitar); Carl Graves (vocals, keyboards); John Avila (vocals, bass guitar); Steve Bartek (guitar); Sam Phipps (soprano saxophone, tenor saxophone); Leon Schneiderman (baritone saxophone); Dale Turner (trumpet, trombone); Bruce Fowler (trombone); Mike Bacich (keyboards); Johnny Hernandez (drums, percussion).</li><li>Audio Mixers: Chris Lord-Alge; Danny Elfman; David Leonard ; Jay Burnett; Jim Scott ; John Avila; Steve Bartek ; Bill Jackson.</li><li>Photographers: Dennis Keeley; Kristen Dahline.</li><li>Unknown Contributor Role: Michael Frondelli.</li><li>A nice companion to 1989's SKELETONS IN THE CLOSET--which draws on the band's early records for A&M--the MCA retrospective BEST O' BOINGO provides a comprehensive 17-track overview of the band's career from 1985's DEAD MAN'S PARTY to the group's final studio effort, 1990's DARK AT THE END OF THE TUNNEL. (The disc includes versions of a few of the band's A&M-era gems, most notably "Only a Lad," but these are live workouts from the career retrospective BOINGO ALIVE, not the original studio tracks.)</li><li>With the exception of the soundtrack hit "Weird Science," Oingo Boingo had little commercial impact during this era, but their albums became more complex and musically interesting, with leader Danny Elfman's songs moving away from the sometimes forced wackiness of the A&M material. If you mostly know Oingo Boingo from either Elfman's adventures as a soundtrack composer or their early new wave hits, BEST O' BOINGO will surprise you.</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: Bruce FowlerRelease Date: 17 September, 1991Label: MCADimensions: 14 x 12.5 x 1.1 centimeters (0.04 kg)

Best O' Boingo

Tracks: Second Life Scars Freezing Over Morning Hijacker My Own Old Song So Far Gone Cause And Effect Heirloom Audition My Friend Will See Me Through Still Long First Chapter Before The CalmPerformer Notes: <ul><li>Witness UK: Gerard Starkie (vocals); Julian "Jazz" Pransky (guitar, keyboards); Ray Chan (guitar); Dylan Keeton (bass); John Langley (drums).</li><li>Additional personnel: Julian Pransky-Poole.</li><li>The debut album from Witness U.K., BEFORE THE CALM, is a pleasant experience in folk-rock-derived songcraft. With its swirling guitar sounds, interesting and well-placed percussion, and dynamic vocals, Witness U.K. offers an alternative to a mainstream music scene overcrowded with teen-pop and hip-hop. The brainchild of guitarist Ray Chan and singer/songwriter Gerard Starkie, Witness U.K. offers the listener a melodic, trippy ride through a wide range of emotions without missing a step. Some of the songs that you will find yourself mesmerized by include "Hijacker," "Second Life" and "Freezing Over Morning." Starkie's voice, which brings to mind both R.E.M.'s Michael Stipe and Counting Crows frontman Adam Duritz, captures the listener from the very first note, and the songs deliver on the promise of the performances.</li></ul>Producer: Phil VinallFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 16 May, 2000Label: MCADimensions: 14 x 12.7 x 0.6 centimeters (0.11 kg)

Before the Calm

Tracks: Feels Like Another One Somebody Loves You Baby (You Know Who It Is) When You Love Somebody (I'm Saving My Love For You) I Don't Do Duets Temptation When You've Been Blessed (Feels Like Heaven) Burnin' (The Fire Is Still) Burnin' For You I Hear Your Voice We're Not Makin' Love Anymore Release Yourself Love Never Dies Crazy LovePerformer Notes: <ul><li>Producers include: Walter "Bunny" Sigler, James R. "Budd" Ellison, Michael J. Powell, Paisley Park, Dana Chapelle.</li><li>Lyricist: Patti LaBelle.</li><li>Personnel: Patti LaBelle (background vocals); Gladys Knight (vocals, background vocals); Michael Bolton (vocals); Randy Bowland (guitar, acoustic guitar); Michael J. Powell (guitar, drums, percussion); Chris Camozzi, Wah-Wah Watson (guitar); Ernie Fields Jr., Pamela Williams (saxophone); Nolan Andrew Smith (trumpet); George Bohannon (trombone); Greg Phillinganes (piano); Walter Afanasieff (keyboards, synthesizer, bass synthesizer, drums, percussion); David Erwin (keyboards, synthesizer, programming); Nathanial Wilkie (keyboards, programming); Michael Stokes (keyboards, keyboard programming, drum programming); Eugene Lambchops Curry, James R. Budd Ellison, Clint Stokes III, Vernon D. Fails (keyboards); John "J.R." Robinson , John Paris (drums); Quinton Joseph (percussion, programming); Terral "Terry" Santiel (percussion); David Ward II (programming, keyboard programming); Louis Biancaniello, Robert Palmer (programming); John Anthony (sampler); Brenda White-King, Valerie Pinkston-Mayo, Fonzi Thornton, Fred White , D. Harvey, Linda Stokes, Paula Holloway, Lisa Fischer, Lisa Taylor, Luther Vandross, Nona Hendryx, Paulette McWilliams, Annette Hardeman, Sarah Dash, Tawatha Agee, Walter Sigler, Charlene Holloway (background vocals).</li><li>Audio Mixers: F. Byron Clark; Jeff Lorenzen; Michael J. Powell; Mick Guzauski; Mike Tarsia; Barney Perkins.</li><li>Recording information: Blue Palm Studio, Studio City, CA; Creative Source Studios, Studio City, CA; Hit Factory Studios, New York, NY; Larrabee Sound Studios, Los Angeles, CA; Paisley Park Studios; Plant Recording Studios, Sausalito, CA; Sigma Sound Studios, Philadelphia, PA; Vanguard Recording Complex, Oak Park, MI.</li><li>Director: Rev. Ernest Davis, Jr.</li><li>Photographer: Marc Raboy.</li><li>Unknown Contributor Roles: James R. Budd Ellison; Patti LaBelle; Walter Sigler.</li><li>Arrangers: James R. Budd Ellison; Luther Vandross; Michael Stokes .</li><li>Warm ballads, with guests Gladys Knight and David Peaston, and a Labelle reunion. ~ Bil Carpenter</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: Gladys Knight; Lisa Fischer; Big Daddy Kane; Michael Bolton; Luther VandrossRelease Date: 1 October, 1991Label: MCADimensions: 14 x 12.5 x 1.1 centimeters (0.10 kg)

Burnin'

André Previn Jesus Christ Superstar [Original Motion Picture Soundtrack 25th Anniversary Reissue] CD. 0. DISC 1: 1. Jesus Christ Superstar, musical: Overture (Jesus Christ Superstar/Soundtrack) 2. Jesus Christ Superstar, musical: Heaven On Their Minds 3. Jesus Christ Superstar, musical: What's The Buzz 4. Jesus Christ Superstar, musical: Strange Thing Mystifying 5. Jesus Christ Superstar, musical: Then We Are Decided 6. Jesus Christ Superstar, musical: Everything's Alright 7. Jesus Christ Superstar, musical: This Jesus Must Die 8. Jesus Christ Superstar, musical: Hosanna 9. Jesus Christ Superstar, musical: Simon Zealotes 10. Jesus Christ Superstar, musical: Poor Jerusalem 11. Jesus Christ Superstar, musical: Pilate's Dream 12. Jesus Christ Superstar, musical: The Temple 13. Jesus Christ Superstar, musical: I Don't Know How To Love Him 14. Jesus Christ Superstar, musical: Damned For All Time / Blood Money: Blood Money 0. DISC 2: 1. Jesus Christ Superstar, musical: The Last Supper 2. Jesus Christ Superstar, musical: Gethsemane (I Only Wanted To Say) 3. Jesus Christ Superstar, musical: The Arrest 4. Jesus Christ Superstar, musical: Peter's Denial 5. Jesus Christ Superstar, musical: Pilate And Christ 6. Jesus Christ Superstar, musical: King Herod's Song 7. Jesus Christ Superstar, musical: Could We Start Again, Please? 8. Jesus Christ Superstar, musical: Judas' Death 9. Jesus Christ Superstar, musical: Trial Before Pilate 10. Jesus Christ Superstar, musical: Superstar 11. Jesus Christ Superstar, musical: The Crucifixion 12. Jesus Christ Superstar, musical: John Nineteen: Forty-One

André Previn Jesus Christ Superstar [Original Motion Picture Soundtrack 25th Anniversary Reissue] CD

Larry Carlton Discovery CD. Recorded at Room 335, Hollywood, California. Following up his surprise hit debut on acoustic guitar, Alone/But Never Alone, Carlton offers a collection of easygoing, laid-back, Wave-oriented smooth jazz that slowly reveals hints of the full range of his capabilities. At first, it sounds as if the guitarist would be merely killing time here, but starting with the funky "Knock on Wood," things get progressively more interesting as Carlton seems to find his funky bearings. "Discovery" is actually quite nice with its cushiony vamp; "My Home Away From Home" finds Carlton flashing his acoustic chops quite effectively; the shuffling "Minute By Minute" garnered a lot of airplay. Kirk Whalum can be relied upon for stock, crowd-pleasing R&B tenor solos on several tracks, while Terry Trotter plays digital synths, John Pena handles the bass, and Rick Marotta is on drums. Nice stuff, not too demanding, but it wears well. ~ Richard S. Ginell

Larry Carlton Discovery CD

Nanci Griffith Late Night Grande Hotel CD. 1. It's Just Another Morning Here 2. Late Night Grande Hotel 3. It's Too Late 4. Fields of Summer 5. Heaven 6. Power Lines, The 7. Hometown Streets 8. Down 'n' Outer 9. One Blade Shy of a Sharp Edge 10. Sun & Moon & Stars 11. San Diego Serenade

Nanci Griffith Late Night Grande Hotel CD

David Crosby/Graham Nash/Crosby & Nash The Best of Crosby & Nash: The ABC Years CD. 1. Carry Me 2. Mama Lion 3. Bittersweet 4. Take the Money and Run 5. Naked in the Rain 6. Love Work Out 7. Homeward Through the Haze 8. To The Last Whale...Critical Mass / Wind On The Water 9. Spotlight 10. Broken Bird 11. Time After Time 12. Mutiny 13. Taken at All 14. Foolish Man 15. Out of the Darkness 16. Immigration Man 17. Lee Shore 18. I Used to Be a King 19. Deja Vu

David Crosby/Graham Nash/Crosby & Nash The Best of Crosby & Nash: The ABC Years CD

Tracks: Believe In Me Don't Let Go I Got It You Make Me Smile Baby Love I Gotch U I've Had Enough Never Should Have Let You Go Teach Me How To Live Come See About Me Be In Love Again Bonus Track 1Performer Notes: <ul><li>Personnel: Regina Belle (vocals); Erik "E-Smooth" Hicks (vocals, keyboards, programming); Katherine Fenn, Ogura Yasushi, Jeff Watson, Roxann Jacobson, Daniel Seidenberg, Sara Usher, James Shallenberger, Paul Brancato, Victor Romasevich, Irene Sazer, Nancy Ellis, Eileen Moon, Doris Fukawa, Dawn Dover, Joseph Edelberg, Jeremy Cohen (strings); Mike $ Manni (keyboards, programming).</li><li>Producers: Erik "E-Smooth" Hicks, Bernard Belle, Greg Charley.</li><li>Engineers include: Mike $ Manni, Dave Greenberg, Dave Kowalsky.</li><li>BELIEVE IN ME was nominated for a 1999 Grammy for Best Traditional R&B Vocal Performance.</li><li>Personnel: Regina Belle (vocals, background vocals); Eric Hicks (rap vocals, keyboards, programming, drum programming, background vocals); Joseph Edelberg, Eileen Moon, Dawn Dover, Ogura Yasushi, Victor Romasevich, James Shallenberger, Sara Usher, Doris Fukawa, Paul Brancato, Roxanna Jacobson, Irene Sazer, Jeff Watson, Jeremy Cohen , Danny Seidenberg, Nancy Ellis (strings); Mike Manni, Mike Mani, Bernard Belle (keyboards, programming).</li><li>Audio Mixers: Dave Greenberg; Mike Manni; Eric Hicks; Mike Mani; Ron A. Shaffer; Bernard Belle.</li><li>Recording information: Boom Town Studios, Sausalito, CA; Boom Town Studios, Sausaltio, CA; Doppler Studio, Atlanta, GA; Hillside Sound Studio, Englewood, NJ; Hilside Sound Studio, Engelwood, NJ; Patchwerks Stud; Patchwerks Studi.</li><li>Photographer: Albert Sanchez.</li><li>Grammy awards, platinum records and a beautiful voice simply describe the career of Regina Belle. Belle's silky smooth vocals and jazzy delivery showcase her pop, R&B and jazz influences. With this album, Belle delivers her usual soft, sensual vocals around nicely arranged R&B tracks. Considered by many as a diva in her own right, Belle keeps pace on her steady rise to ultra-fame with tracks like "You Make Me Smile," "Never Should Have Let You Go" and her title cut "Believe In Me." Surprisingly, the project takes on a sparseness in its production on songs like, "I Gotch U" and "Teach Me How To Live." The approach is welcome, and works for Belle since her voice is more than strong enough to carry the show.</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 22 September, 1998Label: MCADimensions: 14 x 12.5 x 1.1 centimeters (0.10 kg)

Believe in Me

Tracks: Make You A Believer If You're Gonna Love Me You Don't Have To Remind Me Who Do You Think You Are Windin' Me Up I Want To Believe Goin' Back Again Do What Ya Want Cry Baby Where There's A Will Time FliesPerformer Notes: <ul><li>Personnel: Sass Jordan (vocals); Stevie Salas (guitar); Johnny Lee Schell, Rick Neigher (guitar, background vocals); Eric Bazilian (mandolin); Jeffrey "C.J." Vanston (strings); Jerry Goodman (violin); The Martin Brothers (horns); Kevin Savigar (keyboards); Gregg Sutton (bass, background vocals); David Raven (drums); Erik Gloege (percussion, background vocals).</li><li>Recorded at Cherokee Recording Studios, Hollywood, California and NRG Recording, North Hollywood, California.</li><li>Personnel: Sass Jordan (vocals); Johnny Lee Schell, Rick Neigher (guitar, background vocals); Stevie Salas (guitar); Eric Bazilian (mandolin); Jerry Goodman (violin); Jeffrey "C.J." Vanston (strings); The Fabulous Martin Brothers (horns); Kevin Savigar (keyboards); David Raven (drums); Erik Gloege (percussion, background vocals); Greg Sutton, S.A.S. (background vocals).</li><li>Audio Mixer: Ed Thacker.</li><li>Recording information: Cherokee REcording Studios, Hollywood, CA; NRG, North Hollywood, CA.</li><li>Photographer: Moshe Brakha.</li><li>Arranger: Jeffrey "C.J." Vanston.</li><li>Is anyone named more appropriately than Sass Jordan? On her sophomore effort, the Montreal-based rocker kicks the synth-heavy Starship impersonation of her first album to the curb, raids her old Faces and Bad Company LPs for inspiration, and turns the attitude up to 11. Racine ("roots" in French) lurches into gear with "Make You a Believer," a brassy, swaggering nugget of electric barroom crunch that draws from the same well as the Black Crowes but might go one better with its surging gospel chorus. "If You're Gonna Love Me" wraps a cutting riff around Jordan's reckless vocal, which threatens to careen out of control but -- of course -- never does. Jordan's a pro, as her effortless shift into balladry for "You Don't Have to Remind Me" proves. When she sings the payoff line after the chorus -- "Because every night I sleep alone" -- it's with a sigh and a nod, as if she's acknowledging the crappiness of how things go, but will just have another cigarette and forget about it, because there's plenty of fish in the sea. Later, a horn section stops by for "Do What Ya Want," and even if it's totally clich‚d, it somehow works, if only on the sheer elastic sandpaper quality of Jordan's vocal. That's the thing about Racine -- it's not sparklingly original, but who ever said great barroom hard rock had to be? Each song starts with a chip on its shoulder, as if Jordan's the new girl in town and wants to prove she can hang. By song's end, she's the center of attention. And trashing the cold synths of Tell Somebody for the vibrant Hammond organ of the title track and "Windin' Me Up" was the best possible move she could have made. Jordan always sings straight from her heart -- it's great to hear her throaty purr over instrumentation that comes from the same place. ~ Johnny Loftus</li></ul>Professional Reviews: Q (10/94, p.137) - 3 Stars - Good - "...Her seductive, blistering vocal skills are outstanding throughout..."Producer: Rick NeigherFormat: CD (1 Disc)Studio/Live: StudioGuest Artist: Eric Bazilian; Stevie Salas; Jerry GoodmanRelease Date: 3 March, 2003Label: Impact/MCADimensions: 14 x 14 x 0.6 centimeters (0.04 kg)

Racine

Tracks: Theme From Schindler's List Jewish Town (Krakow Ghetto, Winter '41) Immolation (With Our Lives, We Give Life) Remembrances Schindler's Workforce Oyf'n Pripetshok / Nacht Aktion I Could Have Done More Auschwitz-Birkenau Stolen Memories Making The List Give Me Your Names Yerushalaim Shel Zahav (Jerusalem of Gold) Remembrances Theme From Schindler's List (Reprise)Format: CD (1 Disc)Country: USARelease Date: 7 December, 1993Label: MCADimensions: 12.5 x 14.2 x 1 centimeters (0.03 kg)

Schindler's List [Original Motion Picture Soundtrack]

The Cranberries Wake Up and Smell the Coffee CD. 1. Never Grow Old 2. Analyse 3. Time Is Ticking Out 4. Dying Inside 5. This Is the Day 6. Concept, The 7. Wake up and Smell the Coffee 8. Pretty Eyes 9. I Really Hope 10. Every Morning 11. Do You Know 12. Carry On 13. Chocolate Brown 14. Cape Town - (hidden track)

The Cranberries Wake Up and Smell the Coffee CD

Performer Notes: <ul><li>Personnel: B.B. King (vocals, guitar); Dean Parks, Roland Bautista (guitar); Wilton Felder (tenor saxophone, bass); Steven Madaio, Charles B. Findley, George Bohanon, Dennis Quitman, Kurt McGettrick, Gary Herbig, Abe Most, Dick Cary, Robert Enevoldsen, Eddie Miller (horns); Joe Sample (keyboards); Robert "Pops" Popwell (bass); "Stix" Hooper (drums, percussion); James Gadson (drums); Julia Waters Tillman, Maxine Waters Willard, Luther Waters, Oren Waters (background vocals).</li><li>Producers: Stix Hooper, Stewart Levine, Wilton Felder, Joe Sample.</li><li>Recorded at Hollywood Sound Recorders, Hollywood, California.</li><li>Personnel: B.B. King (guitar, piano); Luther Waters, Oren Waters (vocals, background vocals); Julia Tillman Waters, Maxine Willard Waters (vocals); Dean Parks, Roland Bautista (guitar); Gary Herbig (flute, horns); Abe Most (clarinet, horns); Wilton Felder (saxophone, tenor saxophone); Kurt McGettrick, Quitman Dennis (saxophone, horns); Ernie Watts (saxophone); Steve Madaio (trumpet); Eddie Miller (horns, wind); Chuck Findley, George Bohannon, Dick Cary (horns); Joe Sample (keyboards); James Gadson, Stix Hooper (drums).</li><li>Audio Mixer: Rik Pekkonen.</li><li>Recording information: Hollywood Sound Recorders, Hollywood, CA.</li><li>Six of this album's seven songs were written by Joe Sample, the Texas-born jazz legend. Sample, who plays keyboards on the record, contributes to MIDNIGHT BELIEVER's overall sensibility and eclecticism. The rich production values and careful arrangements make for recordings that are lush and intricate, with less of the trademark grit shown on much of King's earlier stuff. So while this doesn't feel like a traditional blues album, it is unmistakably a B.B. King record. Sample brings with him the rhythm section of his former group, The Crusaders.</li><li>King aims for a wider-than-usual sonic palette here: the title track has a slick, smooth-jazz flavor, with Sample's electric piano and lush horn and string sections providing a sort of late-period Steely Dan feel. Honky-tonk piano, Dixieland horns and clarinet distinguish "I Just Can't Leave You Alone." "Never Make a Move Too Soon" is an extended vamp, replete with hand claps and ambient party noises. And "Let Me Make You Cry a Little Longer" is a slow, romantic soul ballad with a little funk thrown in for good measure.</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: Joe SampleRelease Date: 12 September, 1989Label: McADimensions: 1 x 12.4 x 14.2 centimeters (0.10 kg)

Midnight Believer

Tracks: Almost Grown Carol Maybellene Sweet Little Rock 'N' Roller Anthony Boy Johnny B. Goode Little Queenie Jo Jo Gunne Roll Over Beethoven Around And Around Hey Pedro Blues For HawaiiansPerformer Notes: <ul><li>Personnel includes: Chuck Berry (vocals, guitar, steel guitar); Bo Diddley (guitar); Johnny Johnson, Lafayette Leake (piano); Willie Dixon, George Smith (bass); Fred Below, Jasper Thomas, Eddie Hardy (drums); Jerome Green (maracas).</li><li>Recorded in Chicago, Illinois during 1958-1959, except "Maybelline" (May, 1955) and "Roll Over Beethoven" (February, 1956). Includes liner notes by Don Kamerer and original release liner notes by John Sippel.</li><li>Personnel: Chuck Berry (vocals, guitar); Bo Diddley (guitar); Johnnie Johnson, Lafayette Leake (piano); Fred Below, Eddie Hardy, Jasper Thomas (drums); Jerome Green (maracas).</li><li>Liner Note Authors: Don Kamerer; John Sippel.</li><li>Recording information: Chicago, IL.</li><li>Chuck Berry was 33 when his third album, BERRY IS ON TOP, was released in 1959. This was still the era of the 45, and albums often did little more than coast along as a sort of extended souvenir of hit songs. While an amazing three-quarters of this album charted as singles (both before and after the LP's appearance), it's a stunning encapsulation of everything that made Berry's recordings for Chess Records eternally rocking bonfires.</li><li>The songs "Carol," "Maybellene," Johnny B. Goode" and "Roll Over Beethoven" are practically hard-wired into the rhythmic thinking of anyone born in America since the '40s. What's remarkable is that in the wake of all that followed (including umpteen-million teenage guitarists learning to play barre chords while playing along), they still sound utterly fresh and cliche-free. Johnnie Johnson's piano playing runs back and forth between the rhythm section and the vocals like a sleek deer. Berry himself dazzles with his singing, which can be wise, subtly sly and passionate, and his guitar (featured especially on the album-closing instrumental "Blues For Hawaiians").</li></ul>Professional Reviews: Vibe (2/02, p.87) - Included in Vibe's "Essential Black Rock Recordings".Format: CD (1 Disc); MixedCountry: USAStudio/Live: StudioRelease Date: 29 February, 1988Label: Berry, ChuckDimensions: 14 x 0.6 x 14 centimeters (0.05 kg)

Berry Is On Top

Tracks: Baton Rouge Miss USA In Spite Of Herself The Fall Sad Sad Me Screaming Yellow December ... At The Sun Saving Grace Leave Butterfly ShinePerformer Notes: <ul><li>The Nixons: Zac Maloy (vocals, guitar, trumpet); Jesse Davis (vocals, guitar); Ricky Wolking (vocals, bass); John Humphrey (vocals, drums).</li><li>Additional personnel: Gabrial McNair (piano, electric piano).</li><li>Recorded at Longview Farms, North Brookfield, Massachusetts.</li><li>Personnel: Zac Maloy (vocals, guitar, trumpet); Jesse Davis (vocals, guitar); John Humphrey (vocals, drums); Ricky Wolking (vocals); Gabrial McNair (electric piano).</li><li>Audio Mixer: Toby Wright.</li><li>Recording information: Longview Farms, North Brookfield, MA.</li><li>Editor: Don C. Tyler.</li><li>Photographer: Alison Dyer.</li></ul>Producer: Jesse Davis, John Humphrey, Ricky Wolking, Toby Wright, Zac MaloyFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 17 June, 1997Label: MCADimensions: 14 x 12.5 x 1.1 centimeters (0.10 kg)

The Nixons

Semisonic All About Chemistry [Import Version] CD. 1. Chemistry 2. Bed 3. Act Naturally 4. She's Got My Number 5. Follow 6. Sunshine and Chocolate 7. Who's Stopping You? 8. I Wish 9. One True Love - (featuring Carole King) 10. Get a Grip 11. Suprise 12. Matador, El

Semisonic All About Chemistry [Import Version] CD

Tracks: No Stress Karma Killer Selophane Fixtures Crave Drive Crowns Lost Opinion King For A Day Fallen Wishes Bulletproof Tales From The FishbowlPerformer Notes: <ul><li>Cyclefly includes: Declan O'Shea (vocals); Ciaran O'Shea (guitar, programming); NoNo Presta (guitar); Christian Montagne (bass); Jean-Michel Cavallo (drums).</li><li>Additional personnel includes: Chester Bennington (vocals); Sasha Jankovic, Rupert Cobb, Bill Appleberry, Tobias Miller (strings); Sasha Puttnamon (organ).</li><li>Producers: Bill Appleberry, Tobias Miller, Colin Richardson.</li><li>Recorded at Parkgate Studios, East Sussex, England and Totally Wired, Dublin, Ireland.</li><li>Personnel: Chester Bennington, Declan O'Shea (vocals); Ciar?n O'Shea (guitar, programming); Nono Presta (guitar); Sacha Puttnam (strings, organ); Jean Michel Cavallo (drums); Tobias Miller, Bill Appleberry , Rupert Cobb (programming).</li><li>Audio Mixers: David Bianco; Tobias Miller; Bill Appleberry ; Jeff Rothschild; Ian Blanch.</li><li>Recording information: Parkage Studios, East Sussex, England; Parkgate Studios, East Sussex, England; Totally Wired, Dublin, Ireland.</li><li>Photographer: Robert Flynt.</li><li>Arrangers: Cyclefly; Sacha Puttnam.</li><li>Crafting the sort of heavy alternative rock that was a radio staple before rap-metal blew up, Cyclefly continues to get better with every album. Tracks like "Karma Killer" have a pleasantly catchy feel that puts the emphasis on the hooks instead of the heaviness. Of course this is derivative music, at times bringing to mind Jane's Addiction, among others. But oddly enough, this sounds a whole lot like an early-'90s alternative band named Love on Ice, whose claim to fame was an inclusion on the Bill and Ted's Bogus Journey soundtrack. Like that band, they make music that does not really classify as metal or straight alternative, but includes elements of both in a weird pop/rock soup. As far as the album goes, there are a few notable tracks that emphasize how much better they are on this album. The title track is a very likable ballad that creates a wistful mood, while "Drive" is a bouncy psychedelic pop song that takes more than a little influence from the Beatles. But the band wisely saved the best track for last, something that more mainstream rock acts should try. Like the glossy cousin to Sunny Day Real Estate's "Pilars," "Tales From the Fishbowl" finishes off the album with a swirling, epic feel that perfectly captures how good Cyclefly can be when they really put their mind to it. No, it is not anything new or original, but instead it is dependable, which was a rare occurrence in the pop/alternative landscape of 2002. ~ Bradley Torreano</li></ul>Professional Reviews: Q (4/02, p.111) - 4 out of 5 stars - "...The breadth of the band's songwriting talent is showcased by tracks varying from the compulsively upbeat ti the dreamily laid-back..."Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioGuest Artist: Chester BenningtonRelease Date: 14 July, 2009Label: MCA (USA)Dimensions: 14 x 14 x 0.6 centimeters (0.06 kg)

Crave

Etta James Tell Mama: The Complete Muscle Shoals Sessions [Remaster] CD. 1. Tell Mama 2. I'd Rather Go Blind 3. Watch Dog 4. Love of My Man, The 5. I'm Gonna Take What He's Got 6. Same Rope, The 7. Security 8. Steal Away 9. My Mother in Law 10. Don't Lose Your Good Thing 11. It Hurts Me So Much 12. Just a Little Bit 13. Do Right Woman, Do Right Man 14. You Took It 15. I Worship the Ground You Walk On 16. I Got You Babe 17. You Got It 18. I've Gone Too Far - (previously unreleased) 19. Misty - (previously unreleased) 20. Almost Persuaded 21. Fire 22. Do Right Woman, Do Right Man - (previously unreleased, alternate take)

Etta James Tell Mama: The Complete Muscle Shoals Sessions [Remaster] CD

Muddy Waters The London Muddy Waters Sessions CD. Personnel: Muddy Waters (vocals, slide guitar); Rosetta Hightower (vocals); Sam Lawhorn, Rory Gallagher (guitar); Carey Bell Harrington (harmonica); Seldon Powell (tenor saxophone); Ernie Royal, Joe Newman (trumpet); Garnett Brown (trombone); Steve Winwood, George Fortune (piano, organ); Rick Grech (bass); Mitch Mitchell, Herbie Lovelle (drums). Recorded at I.B.C Studios, London England. Originally released on Chess (60013). Includes liner notes by Andy Schwartz. Personnel: Muddy Waters (vocals, guitar, slide guitar); Rosetta Hightower (vocals); Rory Gallagher, Sammy Lawhorn (guitar); Carey Bell Harrington, Carey Bell (harmonica); Seldon Powell (saxophone, tenor saxophone); Ernie Royal, Joe Newman (trumpet); Garnett Brown (trombone); George Fortune, Steve Winwood (piano, organ, keyboards); Billy C. Wirtz (piano, organ); Herb Lovelle, Mitch Mitchell (drums). Liner Note Authors: Alan Schwartz; Andy Schwartz. Recording information: I.B.C. Studios, London, England (12/04/1971-12/08/1971); Record Plant, New York, NY (12/04/1971-12/08/1971). Unknown Contributor Roles: DZN; Mia Krinsky. Following in the footsteps of his fellow Chicago blues legend Howlin' Wolf, Muddy Waters journeyed across the big pond in 1972 to record an album with some of British rock's leading lights. Rory Gallagher, Rick Grech, Steve Winwood, and Mitch Mitchell were of the generation that had grown up loving Muddy's blues, and these sessions afforded them the opportunity to give something back to the man who had inspired them. The difference between the Brits' approach and the traditional Chicago style is immediately apparent, right down to the preponderance of very un-Chicago inside notes in Mitch Mitchell's drumming. However, the intent of these sessions was to put a new sheen on Muddy's music while not straying too far from its roots. In this respect, the album is a success. The horn section that appears on some cuts is far less incongruous than on the notorious MUDDY, BRASS & THE BLUES. A guitars-only version of "Walkin' Blues" offers a rare (and unexpected in this context) peek at Muddy's Robert Johnson/Son House Delta roots. As is often the case with superstar sessions, this is not the place to begin for neophytes, but much of this album stands up well among Muddy's early-'70s U.S. recordings.

Muddy Waters The London Muddy Waters Sessions CD

Tracks: Trouble In The Fields From A Distance I Don't Wanna Talk About Love Deadwood Love At The Five And Dime Listen To The Radio Gulf Coast Highway I Wish It Would Rain Ford Econoline So Long Ago If Wishes Were Changes The Wing And The Wheel Late Night Grande Hotel It's Just Another Morning Here Drive-In Movies And Dashboard Lights There's A Light Beyond These Woods Outbound Plane It's A Hard Life Wherever You GoPerformer Notes: <ul><li>Personnel includes: Nanci Griffith (vocals, acoustic guitar); Phil Everly (vocals); Patrick Alger (acoustic & high-string guitars); Rick West (acoustic guitar); Lloyd Green (dobro & steel guitars); Danny Flowers (electric slide guitar, background vocals); Phillip Donnelly, John Stewart (guitar); Bela Fleck (banjo); Mark O'Connor (fiddle, violin, viola, mandolin, acoustic guitar); John Catching (cello); James Hooker (piano, keyboards, synthesizer); John Jarvis (piano); Denny Bixby, Emory Gordy (bass); Rick Marotta, Russ Kunkel (drums, percussion); Mac McAnally, Lucy Kaplansky, Eric Taylor, Albert Lee (background vocals).</li><li>Producers: Glyn Johns, Peter Van Hooke, Rod Argent, Nanci Griffith, Tony Brown.</li><li>Digitally remastered by Robert Stroughton (MCA Music Media Studios, North Hollywood, California).</li><li>Personnel: Nanci Griffith (vocals, acoustic guitar); Mac McAnally, Phil Everly (vocals); Pat Alger (guitar, acoustic guitar); Jon Goin (guitar, slide guitar, classical guitar); Byrd Burton (acoustic guitar, electric guitar); Mark O'Connor (acoustic guitar, mandolin, violin, fiddle, viola); Billy Joe Walker, Jr., Richard West (acoustic guitar); Bernie Leadon (electric guitar, slide guitar, mandocello); Jerry Donahue, John Stewart, Neill MacColl , Philip Donnelly (electric guitar); Danny Flowers (slide guitar); Lloyd Green (dobro); B?la Fleck (banjo); Pat Donaldson (mandocello, electric bass); John Catchings (cello); James Hooker (piano, keyboards, synthesizer); John Jarvis (piano); Rod Argent (synthesizer, drums); Roy M. "Junior" Husky (upright bass); David Hungate, Emory Gordy (electric bass); Peter Van Hooke, Russ Kunkel (drums, percussion); Fran Breen, Rick Marotta (drums); Pat McInerney (percussion).</li><li>Photographers: David Gahr; Carla Gahr; Caroline Greyshock.</li><li>Unknown Contributor Role: Mac McAnally.</li><li>This single-CD compilation from 1993 features a dozen and a half sides from Texas singer/songwriter Nanci Griffith (guitar/vocals) during her four-year/five-disc deal with the Nashville branch of MCA Records, offering a well-balanced selection of her best-known and loved works as well as a few equally seminal deeper tracks. Lone Star State of Mind (1987) is signified by over a quarter of the album, including "Trouble in the Fields," "From a Distance," "Ford Econoline," and a remake of the heartfelt life saga "There's a Light Beyond These Woods (Mary Margaret)," which had originally appeared as the title composition from Griffith's debut LP, There's a Light Beyond These Woods (1978). Half of the tunes from the critical and commercial breakthrough Storms (1989) are featured on MCA Years: A Retrospective. "Listen to the Radio," "I Don't Want to Talk About Love," the international hit "It's a Hard Life Wherever You Go," "If Wishes Were Changes," and "Drive-In Movies and Dashboard Lights" are here, and each would respectively remain among the core seminal sides from her performance repertoire. One Fair Summer Evening (1988) -- Griffith's first live album -- is meagerly represented with Eric Taylor's (who is also Griffith's ex-husband) "Deadwood, South Dakota." Sadly, the hauntingly beautiful "More Than a Whisper" is not on this collection. By contrast, a healthy sampling of her next studio release, Little Love Affairs (1988), is included with "Outbound Plane" and "I Wish It Would Rain" as well as the deeper "So Long Ago" and "Gulf Coast Highway."</li><

The MCA Years:  A Retrospective

B.B. King Completely Well CD. 1. So Excited 2. No Good 3. You're Losin' Me 4. What Happened 5. Confessin' the Blues 6. Key to My Kingdom 7. Crying Won't Help You 8. You're Mean 9. Thrill Is Gone, The

B.B. King Completely Well CD

Performer Notes: <ul><li>Producer: Fela Kuti</li><li>Reissue producer: Jean-Pierre Haie</li><li>Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu.</li><li>Digitally remastered by Pompon (Translab Paris, Paris, France).</li><li>Personnel: Fela Kuti (vocals, guitar, piano, keyboards); Fela Kuti & Africa 70 (vocals, tenor saxophone, piano); Chioma Elostuba, Oma Umude, Fehintola Anikulapo Kuti (vocals); Oyinade Adeniran (tenor saxophone); Lekan Animashaun (baritone saxophone); Stephen Ukem, Oye Moses (trumpet); Keji Hamilton (piano); Rotimi Afariogun (bass guitar); Adebiyi Ajayi (drums); Michael Obeatta, Dele Olayinka (congas).</li><li>Liner Note Authors: Mabinuori Idowu; Jacqueline Grandchamp-Thiam; Rikki Stein.</li><li>Recording information: New York, NY.</li><li>Photographers: Bernard Matussiere; Alexandra Stephanakis.</li><li>Arranger: Fela Kuti & Africa 70.</li><li>Underground System was among the better recordings of Fela's late career, comprised of two extended tracks, the title cut and "Pansa Pansa." "Underground System" starts off with rhythms that are far faster and more urgent than those on most of Fela's characteristically lengthy tracks. If that sounds like a marginal quality upon which to judge a song as a standout, well, something like a much faster and played-as-though-we-mean-it tempo really does help to differentiate it from the singer's generally similar output of the 1980s and 1990s. The backup singers also come in quickly with infectious chants, prior to a typical Fela lyric observing the difficulty in enacting positive political change in Africa. Hearing them sing in tandem with Fela instead of doing call-response patterns, as they do during much of the 28-minute cut, also makes for a refreshing variation. "Pansa Pansa," at a mere (for Fela) 17 minutes, also gets your attention more than his average effort, with rapid propulsive beats and sprinkles of slightly dissonant jazzy piano. The 2001 CD reissue on MCA adds a half-hour song from his 1990 album, ODOO, which is considerably slower and moodier than the prior two tunes, the beginning emphasizing mournful electric keyboards and sax soloing. ~ Richie Unterberger</li></ul>Format: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 31 July, 2001Label: McADimensions: 14.6 x 1.1 x 12.7 centimeters (0.09 kg)

Underground System

Performer Notes: <ul><li>Personnel: John Kay (vocals, guitar); George Biondo (vocals); Goldy McJohn (keyboards); Jerry Edmonton (drums).</li><li>Unknown Contributor Roles: Kent Henry ; Jerry Edmonton; John Kay; Goldy McJohn; George Biondo.</li><li>1971's FOR LADIES ONLY was the last Steppenwolf album to make an impression on the charts during the band's initial late-'60s/early-'70s period. This set features heavy metal rockers like "Ride With Me," which has reappeared on numerous Steppenwolf compilations over the years, the instrumental "Black Pit," and such rocking highlights as "Jaded Strumpet" and "Sparkle Eyes." FOR</li><li>LADIES ONLY proved to be Steppenwolf's-or, rather, founder/leader John Kay and a revolving door of backing musicians-last all-new studio recording for MCA. The band spent the rest of the '70s on Epic.</li></ul>Producer: Richard PolodorFormat: CD (1 Disc); StereoCountry: USAStudio/Live: StudioRelease Date: 26 September, 1989Label: GeffenDimensions: 14 x 0.6 x 14 centimeters (0.04 kg)

For Ladies Only

Eric B. & Rakim Follow the Leader CD. 1. Follow the Leader 2. Microphone Fiend 3. Lyrics of Fury 4. Eric B. Never Scared 5. Just a Beat 6. Put Your Hands Together 7. To the Listeners 8. No Competition 9. R, The 10. Musical Massacre 11. Beats for the Listeners

Eric B. & Rakim Follow the Leader CD

Tracks: Don't Make Me Over Walk On By Don't Go Breaking My Heart Wives And Lovers Anyone Who Had A Heart The Last One To Be Loved (There's) Always Something There To Remind Me 24 Hours From Tulsa Trains And Boats And Planes Blue On Blue A House Is Not A Home [1965 Album Version] What's New Pussycat? (featuring Joel Grey) [Single Version] My Little Red Book (All I Do Is Talk About You) (featuring Tony Middleton) [Single Version] Saturday Sunshine [Single Version] And So Goodbye My Love [Single Version]Performer Notes: <ul><li>Personnel includes: Burt Bacharach, Joel Grey, Tony Middleton.</li><li>Includes liner notes by Jim Pierson and Mike Gross.</li><li>Digitally remastered by Paul Elmore (MCA Music Studios, North Hollywood, California).</li><li>Released in 1966 on Kapp Records, this was Bacharach's first solo album after over half a decade spent writing and producing enormous hits for artists like Dionne Warwick and Gene Pitney. Several of the hits Bacharach essays here, mostly with instrumental or choir-vocal arrangements, are inextricably tied with Warwick, including "Walk On By," "Don't Make Me Over" and "Anyone Who Had A Heart." Others, like "My Little Red Book," "There's Always Something There To Remind Me," and "What's New Pussycat," were hits for, respectively, Love, Sandie Shaw and Tom Jones. Bacharach's stylish, graceful performances, however, prove every one to be, as the title says, Burt Bacharach hits. The 1997 MCA CD reissue includes five bonus tracks, including the original version of Bacharach's standard "A House Is Not A Home."</li></ul>Producer: Jim Pierson (Compilation)Format: CD (1 Disc); MixedCountry: USAStudio/Live: StudioGuest Artist: Joel GreyRelease Date: 7 October, 1997Label: MCADimensions: 14 x 12.5 x 1.1 centimeters (0.04 kg)

Plays His Hits

Great Moments With B.B. King

Night Ranger Midnight Madness CD. 1. Rock in America (You Can Still) 2. Rumours in the Air 3. Why Does Love Have to Change 4. Sister Christian 5. Touch of Madness 6. Passion Play 7. When You Close Your Eyes 8. Chippin' Away 9. Let Him Run

Night Ranger Midnight Madness CD

Driven by his songwriting prowess, Todd Snider was propelled to national fan and critical acclaim after performing over 300 shows in the U.S. and Europe (with his band the Nervous Wrecks), as well as several TV appearances (David Letterman, Austin City Limits, etc.). Viva Satellite is Todd's follow up to Step Right Up (1996) and Songs from the Daily Planet (1994). The album is a 14-track testament to Snider's seamless weave of rock, '60's style protest and southern cool. 1st single: "I Am Too."

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