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Yui Kiyohara's follow-up to her acclaimed Our House, Remembering Every Night is a lyrical and whimsical cinematic ode to memory and forgetting, loneliness and connection, daydreams and mystery that moves to gentle rhythms of summer breezes. Here, Kiyohara immerses viewers in the quiet pursuits of several women, including a wandering university student, a helpful neighborhood meter reader, and a middle-aged gentle soul seeking employment but finding herself agreeably lost instead. Their paths converge or miss one another throughout a solitary sunny afternoon in the overgrown leafy environs of once hopeful Tokyo satellite city Tama New Town. Exquisitely shot by Yukiko Iioka (Wheel of Fortune and Fantasy) with calming long takes and the occasional drifting camera that seems to have a perspective all it's own, Remembering Every Night is a charming, deceptively simple take on the hidden riches of everyday life.

Remembering Every Night

An Elephant Sitting Still / One of the most acclaimed feature debuts of the last decade, the first and, tragically, last film from Hu Bo, who took his own life at the age of twenty-nine, is a tour de force of existential fury and transcendent catharsis. Set under the gray skies of China's industrial north, AN ELEPHANT SITTING STILL traces the intertwining lives of a band of dispossessed souls who come together on a pilgrimage toward a city in Manchuria where a circus elephant is rumored to be sitting still, seemingly oblivious to the pain and tribulations of the world at large. Composed in a series of bravura tracking shots, this profoundly felt epic gathers an overwhelming emotional power as it moves toward it's soul-shattering climax.

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