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Kishi Bashi Sonderlust Vinyl. Kishi Bashi Sonderlust

Kishi Bashi Sonderlust Vinyl

A refreshing trifecta of compositional prowess, intricate riffage, and experimental pop melodies. -Premier Guitar
Transitions is the 2012 album by post-rock duo El Ten Eleven. Bobbing and weaving from one time signature and tempo to another, the duo of Kristian Dunn and Tim Fogarty jolt the listener into new sonic territories with the delicacy of a tilt-o-whirl. Includes a cover of Duran Duran's "Tiger Tiger". Back in print on Orange Vinyl.

Transitions - Orange

Back in print on vinyl! Deerhoof debuts their new guitarist John
Dieterich and achieves widespread critical acclaim for the first time.
2002's Reveille is a defiant expression of artistic rebirth, spilling
over with madcap exuberance, apocalyptic imagery, newfound
technical confidence belying their no-budget DIY recording
methods, and jarring stylistic about-faces in which no two songs
sound alike. The contrast of Satomi's ever-catchy, ever-charming
melodiousness with John and Greg's noisy, cinematic bombast still
has the power to thrill and tickle and upset, more than 20 years
after it's initial release.
Includes reimagined cover art with the faint morning glow the band
had always envisioned, pressed on clear sun-colored vinyl.
Complete lyrics included for the first time, written by Satomi on the
center labels.

Reveille - Clear Sun

<li>Artist: Jim White</li><li>Format: CD</li><li>Release Date: 2/16/2018</li><li>LABEL: Joyful Noise Records</li><li>GENRE: Folk</li><li>RELEASE DATE: 2/16/2018</li>

WHITE JIM WAFFLES TRIANGLES & JESUS COMPACT DISCS

1000 Palms marks a return to Surfer Blood's DIY ethos. Abandoning the big time studio, the band decided to head back home to self-record and self-produce their third full-length album. Free of major-label-influence, Surfer Blood has delivered a uniquely compelling album, unlike anything in their catalog. The story of 1000 Palms began on January 1st 2014, after playing a New Year's show in Portland, OR. The band decided to stick around for the rest of the month, renting a practice space and sorting through a backlog of ideas. By February, as their lease ran out, Surfer Blood had recorded demos for most of the tracks that are now featured on their third LP.

1000 Palms

Sleeping Bag sounds different, you guys. On their third LP, "Deep Sleep", Dave Segedy (the group's drummer, songwriter and primary vocalist) has taken the band into heavier, more epic territory.

Deep Sleep

A poetic riff on Built to Spill's album Keep It Like A Secret, and a tongue-in-cheek reference to the band's "underground" status, instrumental duo El Ten Eleven's fourth album is a brash and bold 12-track post-rock odyssey. It's Still Like A Secret is back in print on Clear Vinyl.

IT'S STILL LIKE A SECRET - Clear

On El Ten Eleven's These Promises Are Being Videotaped (2008) the Los Angeles post-rock duo pays tribute to bassist Kristian Dunn's obsession with his hometown's underground dance scene. Eight songs of electronic glitching ("Jumping Frenchmen of Maine"), explosive drum soloing ("Fat Gym Riot"), and blistering rhythms ("K10"). Back in print on Amber Vinyl.

These Promises Are Being Videotaped - Amber

On their sixth long player The Breaks - their second for Joyful Noise Records - SUUNS find themselves lost in limbo. The trio of Ben Shemie, Joseph Yarmush and Liam O' Neill leans more zealously than ever into their pop instincts. Yet remarkably enough, with that same dauntless abandon, SUUNS have mined a more extreme sonic palette this time around, one that stretches far beyond their core fundamentals as a band The Breaks finds Shemie, O'Neill and Yarmush gleefully experimenting with loops, synths, samples and MIDI instruments like a post-millennial Tangerine Dream messing with downtempo triphop beats. 
 
Forged between countless plane rides, road trips, van tours and text threads, The Breaks became a product of endurance and a lot of trial-and-error. It's a record composed in tight fissions of freedom, where spells of whispered intimacy - like on the stunning ballad "Doreen" - are allowed to branch out into the vast glacial dreamscapes of the album's majestic title track. It captures SUUNS at their most panoramic, curious and exuberant: a constant relay of being adrift and enlightened anew, geared up to eleven. And guess what: the wheels keep on spinning.

The Breaks

ODD HOURS
Label/Studio: Joyful Noise Records
Album Format: LP
UPC: 613617995753
Release date: 2017-05-19

ODD HOURS

As he began plotting his new solo album, Dale Crover - world-renowned drummer for the Melvins, Nirvana and Redd Kross, and singer-guitarist for Altamont - realized that, unlike with his prior two full-lengths, he was starting from scratch. "I didn't have any songs," he says, "so I just went on this writing spree." 
 
The result is Glossolalia, Crover's third LP under his own name and arguably his most focused statement yet as a solo artist: 11 catchy yet eccentric tracks that move from Nuggets-y garage rock to crafty proto-metal riffage and gorgeously hazy psych-pop, touching on everything from a bad teenage trip to the charms of the late, great Jane Birkin, and featuring input by illustrious guests including Ty Segall, Soundgarden's Kim Thayil and none other than Tom Waits. 
 
What stands out across the record is the sturdiness of Crover's vision. He's modest about his ambitions - "It's just kind of like extra credit," he says, about having a solo outlet apart from his main band - but as this record shows, his overall aesthetic hits just as hard as his legendary drum thunder.

Glossolalia - Hot Pink

"El Ten Eleven have cemented their place in the annals of instrumental music." - OC Weekly
El Ten Eleven's 2007 album 'Every Direction is North' is back in print on Glass Green Vinyl.

Every Direction Is North - Green Glass

The latest full-length from Kishi Bashi, Kantos is a work of exquisite duality: a party album about the possible end of humanity as we know it, at turns deeply unsettling and sublimely joyful. In a sonic departure from the symphonic folk of his critically lauded 2019 LP Omoiyari-a career-defining body of work born from his intensive meditation on the mass incarceration of Japanese-Americans during World War II-the Seattle-born singer/songwriter/producer's fifth studio album encompasses everything from Brazilian jazz and '70s funk to orchestral rock and city pop (a Japanese genre that peaked in the mid-'80s). Informed by an equally kaleidoscopic mix of inspirations-the cult-classic sci-fi novel series Hyperion Cantos, the writings of 18th century enlightenment philosopher Immanuel Kant, a revelatory trip to ancient ruins on the island of Crete-Kantos ultimately serves as an unbridled exaltation of the human spirit and all it's wild complexities. 

During the earliest stages of creating songs for the album, Ishibashi's main intent was to return to his highly eclectic musical roots, in part by tapping into his jazz background and by delving into the dance-rock-leaning sensibilities he previously embraced as co-founder of Brooklyn-bred indie band Jupiter One. But not too long into the songwriting process, he stumbled upon an AI-equipped website capable of composing catchy song hooks based on a prompt-a turn of events that quickly catalyzed the existential inquiry at the heart of Kantos.

Although his ruminations on AI, transhumanism, and humanity's troubled fate indelibly guided the making of Kantos, Ishibashi nonetheless views the album as "less of a warning about this kind of hubris but more a celebration of the very characteristics that make us human: desire, passion, empathy, and love." "If there's anything I want people to come away with when they hear this record, it's a feeling of excitement about the possibilities of human-created art," he says. "Even as we're learning more about all the amazing things AI can do, I think humans will always be one step ahead in terms of our creativity and innovation. There's still no limit to what we have to offer."

Kantos

<li>Artist: Margot & Nuclear So & So's</li><li>Format: CD</li><li>Release Date: 10/14/2016</li><li>LABEL: Joyful Noise Records</li><li>NUMBER OF DISCS: 5</li><li>GENRE: Rock</li><li>RELEASE DATE: 10/14/2016</li>

MARGOT & NUCLEAR SO & SO'S BRIDE ON THE BOXCAR: A DECADE OF MARGOT RARITIES COMPACT DISCS

Alternate Worlds
Label/Studio: Joyful Noise Records
Album Format: LP
UPC: 656605483917
Release date: 2014-06-10

Alternate Worlds

Not God is the new album from Chicago's beloved two-headed monster, Finom (fka Ohmme). You can ask them to go into more detail about the boring reasons why they changed their name, but for now, the answer is going to be polite refusal. No. 
 
Co-fronted by Sima Cunningham and Macie Stewart, Finom's influences run vast and varied, and they put a premium on change. Produced by Jeff Tweedy in the Wilco Loft, Not God is a marvel of growth, a progression from the roots of this collaborative band whose history can be traced back to it's improvised conception. This is owed in no small part to their hometown of Chicago, the life raft to so many persisters in musical adventurosity. That energy combined with Finom's dramatic vocal and musical gifts puts them in the peripherals of the legacies cemented by The Roches, Roxy Music, the B52s, Kate Bush, Cate Le Bon, and Wilco. 
 
Cunningham and Stewart are brilliant harmonizers, but harmony doesn't equate to a utopia. In Finom's maws harmony can also be a fight, holding the line until the volcano erupts. This realistic depiction of a creative relationship jolts throughout the songs of Not God, and brings the whole damn thing to life. Finom are more than one person with more than one dream. But still, they grow together, harnessed by their shared love of pop songwriting, control, chaos, and being generally freaky-deaky. Freaky in that way that is only really fun when you're doing it with a friend. As the globe spins and advancements advance, it can feel essential to return to relationships that make us feel whole, that generate energy of strength and relief. Which puts double the weight on the reality that Sima and Macie continue to pledge allegiance to each other, at the base of the volcano, in the front seat of the car as it pulls off the highway.

Not God

The debut album by Medicine Singers is a genre-smashing kaleidoscope of sound combining traditional powwow music with elements of psychedelic punk, spiritual jazz, and electronics in a stunning blend. Building on years of collaboration between Yonatan Gat and Eastern Algonquin powwow group Eastern Medicine Singers, the album features contributions from an all-star cast including jaimie branch, Laraaji, Ikue Mori, Thor Harris (Swans), Joe Rainey, and Ryan Olson (Gayngs). "I look at it like this, everybody is my brother and sister, no matter where they come from," says Medicine Singers leader Daryl Black Eagle Jamieson. "If their culture or music is different, I want to learn about it, and I want to play with them. I think it's our responsibility as artists to show the world that life is not about war and hate. Life is about music, peace, and culture. We need to communicate with people of different cultures and backgrounds. We need to show people how we can work together and make something beautiful." One Dollar of each Medicine Singers album sale goes to the Pocasset Pocanoket Land Trust.

Medicine Singers - Oxblood

Maybe it always had to be this way. Posture & the Grizzly formed in Connecticut, in '08, and churned out a couple of demo tapes before dropping their debut LP in early 2014. Busch Hymns was scrappy and raw, all weed smoke and pent-up fury. Songs like "Egg Nog Drunk Off Hilary Duff's Piss" (yeah) and "You Know I Know What You Did Last Summer" exemplify the band's charm perfectly-crystalline, wobbly leads ready to burst under bouncy hooks equal parts snarl and singalong. Just a glance at the tracklist let's you know what Posture & the Grizzly's all about: eight goofily titled songs in and out in eighteen minutes. Just in time for the LP's tenth anniversary, it's been given a remix by The World Is...'s Chris Teti, who originally produced and engineered the album back in 2013, along with remastering from Kris Crummett (Knuckle Puck, Dance Gavin Dance). Sometimes when an album like this is remastered, it loses some of it's charm; the gloss crowds out the grit, the whole thing is recolored a bit too bright. But not so on Busch Hymns-these songs are crisper, but that doesn't mean they're cleaner. J. Nasty's throaty howls are as ragged as ever, but this time around they stand out against Piss Malone and Cabbage Pile's rhythm section, no longer straining for spotlight but basking in it. Their sound would get streamlined a bit over the course of their next two albums, I Am Satan and Posture & the Grizzly, replacing some of Busch Hymns's bite with a clearer-eyed sparkle and a newfound melodicism. Busch Hymns stands now as a document of the cult punks' early days, a transitional period from their throat-shredding demo days to their all-too-brief time as a pop-punk juggernaut. It's clearer than ever with the Busch Hymns remaster that Posture & the Grizzly was meant to sound like this, was meant for more than basement shows and beer-soaked floors. In this light, Busch Hymns is more than a transitional period; it's a glimpse into the greatness to come. So if you're sick of listening to modern punk too, then quit it. Listen to Busch Hymns instead.

Busch Hymns (10th Anniversary Remaster)

<li>Artist: Jason Loewenstein</li><li>Format: CD</li><li>Release Date: 6/16/2017</li><li>LABEL: Joyful Noise Records</li><li>GENRE: Rock</li><li>RELEASE DATE: 6/16/2017</li>

LOEWENSTEIN JASON SPOOKY ACTION COMPACT DISCS

151A
Label/Studio: Joyful Noise Records
Album Format: LP
UPC: 656605773117
Release date: 2012-04-10

151A

A song is a song until it isn't, until it's pushed to it's limits and beyond to become harder, faster and more dissonant. The music on Oneida's 17th full-length album, Expensive Air, all started as tightly structured, melodic rock songs-very much in line with the non-stop bangers of Success from 2022-but along the way, they changed. 

Bobby Matador sketched the structures of these songs from his home base in Boston, then sent the demos to Oneida's New York contingent: Kid Millions, Hanoi Jane, Shahin Motia and Barry London. "We were working out the songs in New York without Bobby. We would start out riding the riffs, and then Shahin and Jane would add wild, out-of-tune licks," said Kid Millions. "It seemed so perfect." 

 Oneida has long straddled gray-area boundaries between the NYC punk/psych/rock world and the art/experimental world, playing at gritty rock clubs and elevated cultural institutions, including the Guggenheim, MoMA PS1, ICA London, MassMOCA and the Knoxville Museum of Art. The band has been known for extended live improvisational performances, collaborating onstage with Mike Watt, members of Flaming Lips, Portishead, Boredoms, Yo La Tengo, Dead C, Godspeed You! Black Emperor, and many others. Oneida's members juggle a wide variety of other music projects. Drummer Kid Millions has played with Spiritualized, Royal Trux and Boredoms and releases solo compositions under his own name and as Man Forever. Shahin Motia founded noise-punk's Ex Models and currently plays in Knyfe Hits. Kid and Fat Bobby perform and release music as People of the North, and Bobby's outside projects New Pope and Nurse & Soldier each released new albums in 2023. 

Oneida's previous album, Success, came after a four-year hiatus, unleashing the band's pent up creative energy in a set of catchy, accessible, nearly poppy songs. Song structure remained important in the run up towards Expensive Air, but so was the instinctual, improvisatory interplay that has always been a part of Oneida's process. The band had been playing live together for two years, sharpening it's attack and pushing it's songs to go harder, faster and wilder. 

Oneida recorded Expensive Air in three sessions scattered across 2023, convening at Colin Marston's Menegroth The Thousand Caves studio in Woodhaven, Queens, whenever they had a few songs ready. Marston and the band mixed the album in February 2024 at Menegroth. 

The new album expands on what Oneida achieved with Success, but also pushes past it, laying down irresistible song structures then blowing them to psychedelic bits. "I found myself thinking about this record as a darker, looser, louder, counterpart to Success," he explains. "Both records charge forward from the jump and mix the elliptical with the blunt, and longing with self-mockery. But Success is like laughing in a car gunning carelessly through an ice storm, and Expensive Air is how you laugh at yourself as the car spins into the ditch, or a tree. Same trip, but a little closer to the bone."

Expensive Air

It's already hard to describe what Deerhoof sounds like. So we'll skip that part and say this sounds a lot like Deerhoof with a different singer. And in keeping with 30-year Hoofian tradition, melodies soar, big hit earwigs abound, harmonies are complex, and keys change frequently and unexpectedly. Arrangements are in a constant state of impatient agitation. Emotions run high but delivery is usually a falsetto deadpan. We Sang, Therefore We Were is grief delivered in code.

Greg plays everything save for a few birds who join in singing now and again. He keeps the instrumentarium severely limited, the sound shambling and anti-slick. It turns out Greg is a really good bass player and guitar player, if a bit more rudimentary and slicing compared to his Deerhoof bandmates. He does play more angry guitar solos.

But don't expect another Chippendale/Saunier speed-drum freakout; the songwriting is gorgeous and sophisticated, and drums are almost an afterthought. Here, song is Queen. The singing is high and whispery, tending towards the three-part harmony. What we're saying is: We Sang, Therefore We Were sounds a bit like Deerhoof fronted by The Andrews Sisters.

This is a peek inside the mind of one of indie rock's most celebrated drummers, many of whose fans may not even realize the relentlessness of his musicianship and compositional prolificacy. Mozartian chords and sounds insinuate themselves here and there on this record, finally taking over in a big climax at the end, when the drums break off unexpectedly into a laugh-or-cry orchestral outpouring that ironically may be the rawest part of a very raw album.

"Satomi, Ed, John and I were chatting between shows in Austin in early December. They encouraged me to make a record on my own. With no one to please but myself, it came together way faster than usual. It was basically done by the holidays. I had been excited by the announcement that the new Rolling Stones record was going to sound 'angry.' I thought, 'Yes, I'm angry too.' But Hackney Diamonds turned out more like cotton candy than punk rock. So I went back to Nirvana. I always loved the catchy melody over massive distortion, the way their songs refused to conform to simple major or minor scales, the dark sarcasm which still resonates in this age of phony blue-check-washing of fascism."

The album cover is all text, penned by Greg on the familiar topic of interspecies absurdist operatic anti-Cartesian revolution. The songs' lyrics are all drawn from this epic poem. White House spokespersons are recast as The Queen of the Night from The Magic Flute, The Queen of the Night is recast as a mockingbird singing all night in a battle for survival, and ultimately the mockingbird is recast as a campy drag artist taking pleasure in her own aggressive, tireless music-making.

We Sang, Therefore We Were

Heartless Fools is a collection of works exploring multiplicity and often contradictory ideas. Supported by a Creative Renewal Fellowship from the Arts Council of Indianapolis, many of the works were realized and recorded in January 2018 at Greenhouse Studios in Reykjavík, Iceland. Since these initial recordings, the music has grown through far-reaching collaborations with musicians in the worlds of jazz, classical, and pop. Album credits include experimental pop trio Square Peg Round Hole, vocalists Isaiah Robinson and Hanna Benn, and Icelandic cellist Þórdís Gerður Jónsdóttir.

While the music itself is not intended to be political, the title Heartless Fools refers to the response of two characters to the current political landscape. The first is working through shock and grief as they awake to the realities of this world, and is trying to make sense of it all. The other, fueled by an imagined loss of cultural identity, is full of a rage that causes them to do inhumane things. This shows up in the music as a struggle between order and chaos, contemplation and impatience. The works constantly push in pull, both internally and with one another.

Heartless Fools - Amber

Originally released in 2004, El Ten Eleven's self-titled LP has been embraced by fans of many genres - from math rock, to jazz, to lo-fi hip-hop. The duo's sound is sharply evocative in mood and feeling, yet simultaneously abstract and meditative. Back in print on Gold Vinyl.

El Ten Eleven - Gold

Endless (Color Vinyl)

We would like to introduce you to the playful fearlessness that is Coughy. Coughy began as a late night recording experiment at a performing arts summer camp, formed by two musical associates Julian Fader (Ava Luna) and Andy Molholt (Laser Background & Speedy Ortiz). As I recall, when they first sent me these recordings, their email read less like a demo pitch and more like, "hey- check out what we made!', without any expectations of JNR releasing it whatsoever. I remember my initial response was something like, "thanks for sending and thanks for acknowl- edging that there is zero chance we will release y'alls weird side project.' But fast forward about 6 months, and Coughy is the only thing I want to listen to... I just kept coming back to it. I came to find out that Andy and Julian created these songs by challenging each other to write one minute "tiny songs", and packing as many logical twists and turns into the confines of 60 seconds as possible. This approach made for some carefree, honest and meaningful music - which I found is a great antidote to the crippling Trumpian negativity I encounter on a daily basis. Having now listened to the album about 800 times, I think I may have identified what is so special about this band: There is a magic earnestness in Coughy's music. So much music these days is so desperately trying to achieve something... The majority of bands seem to be formed with the intention of attaining a particular "sound' before the first note has even been played... Not these guys. This is straight from the playful heart of creation. Which doesn't mean they exist in a vacuum without influences. These guys clearly come from the world of lo-fi indie rock, and it shows. But I think the fact that they both already have their "real bands' freed them up to do whatever they wanted with this music, free of consequence. And that is the reason I love it even more than their "real' bands. Take a listen to Ocean Hug and prove me wrong. - Karl Hofstetter

Ocean Hug

RAT-A-TAT-TAT! (PURPLE VINYL)

The First 100 Songs
Label/Studio: Joyful Noise Records
Album Format: CD
UPC: 714270693595
Release date: 2018-12-07

The First 100 Songs

The Breaks - Red

A Laughing Death in Meatspace
Label/Studio: Joyful Noise Records
Album Format: Cassette Tape
UPC: 714270693441
Release date: 2018-10-26

Joyful Noise Records(31)

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