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Tracks: Skip One for Ayler Send Off Area 6 MC5 WaysPerformer Notes: <ul><li>Personnel: Don Davis (bass clarinet, soprano saxophone, alto saxophone); John Lindberg (double bass); Kevin Norton (vibraphone, drums).</li><li>Audio Mixer: Ted Orr.</li><li>Liner Note Author: John Lindberg.</li><li>Recording information: Roulette Intermedium, New York, NY (02/05/2010).</li><li>Editor: Ted Orr.</li><li>Photographers: Pino Ninfa; Lars Klove; Pietro Bandini.</li><li>In February 2010, bassist John Lindberg's Tripolar was recorded live at the Roulette Club on West Broadway in New York City, and the album which resulted was released on the Jazzwerkstatt label the following year. The trio's drummer was Kevin Norton who, like Lindberg, has worked extensively with both Anthony Braxton and James Emery. The third member of Tripolar is saxophonist Don Davis of the Doctor Nerve band, a seasoned improviser whose early appearances on record included milestone collaborations with Michael Mantler and Carla Bley; Karl Berger, Phillip Johnston, and the Microscopic Septet. On the longest track, "One for Ayler," the spirit of a beloved free jazz archetype is beautifully invoked. Tripolar conjures all of the essential elements that comprised Albert Ayler's musical persona. The essence of Ayler grew directly from gospel and R&B traditions; other ingredients were joyous airs that have been likened to Elizabethan nursery rhymes and echoes of military band music the young African-American saxophonist absorbed while in the armed forces overseas (one of these was the "Marseillaise" which Ayler playfully rechristened "La Mayonnaise"). Naturally enough for a native of southeast Michigan, Lindberg's "MC5" was named for Detroit's own original masters of plugged-in psychedelic rowdiness. This full-throttle release of raw energies feels very much like an encounter with one of Peter Brtzmann's units. The bracing "Send Off," on the other hand, is a swirling multiphonic workout for unaccompanied bassist. Live at Roulette NYC is an exceptionally fine example of where Lindberg has gotten to after decades of hard work and dedication to the art of creative improvisation. It should be regarded as one of the very best recordings ever to have appeared under his name. ~ arwulf arwulf</li></ul>Producer: John LindbergFormat: CD (1 Disc); StereoStudio/Live: LiveCountry: USARelease Date: 1 May, 2011Label: Naxos of America Inc.Dimensions: 12.7 x 14.6 x 1.3 centimeters (0.11 kg)

TRIPOLARLIVEATROULETTENYC

Tracks: Marbles Samaris Ersilia InfinitesimalFormat: Audio CDRelease Date: 29 November, 2019Label: JazzwerkstattDimensions: 14 x 1 x 12.5 centimeters

Nowhere One Goes

Recorded live in Cologne on February 2006. Peter Broetzmann; saxophones; Marino Pliakas; electric bass; Michael Wertmueller; drums. A record against the establishment: against the canon; against the idea that only certain sounds are permitted; against the CD as flat decor; against a self-satisfied lifestyle.

Full Blast

Tracks: Little Birds May Fly How Far Can You Fly? Hey Little Bird And To Where? Albert & Frank Only For DrtePerformer Notes: <ul><li>Personnel: Willi Kellers (drums, percussion); Akira Ando (double bass); Thomas Borgmann (harmonica, sopranino saxophone, soprano saxophone, tenor saxophone).</li><li>Audio Mixers: Jean-Boris Szymczak; Andreas Stoffels .</li><li>Liner Note Author: Ulrich Olshausen.</li><li>Recording information: Studio P4, Berlin (06/10/2010/06/12/2010).</li><li>Photographer: Anke Beims.</li></ul>Format: CD (1 Disc); StereoStudio/Live: StudioCountry: USARelease Date: 1 April, 2011Label: Naxos of America Inc.Dimensions: 13.3 x 15.2 x 1.3 centimeters (0.12 kg)

Boom Box Jazz [Slipcase]

What Happened
Label/Studio: Jazzwerkstatt
Album Format: CD
UPC: 4250317420176
Release date: 2016-08-26

What Happened

In May 2011 these three musicians played in the film theater in Peitz, where the Jazz workshop was launched in the early 1970s. After a break of almost three decades, free Jazz was back here. This CD appears in the year of Ernst-Ludwig Petrowsky's ninetieth birthday.

Luten at Jazzwerkstatt Peitz

Peter Ehwald - It is our homage to the sound of the quintet in Jazz. Ultimately, it was about not focusing too much on pitch/rhythm/harmonies etc., but on our idea of what the sound of the Jazz quintet means to us. We wanted to translate a kind of nostalgia/meaning from an earlier time into our sound language and into the present. By sharing their potent ideas, Ehwald and Schultze have produced something greater than the sum of it's parts.

Jazzwerkstatt(7)

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