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Tracks: Ouverture Policeman Brings News First Meeting With Charlo Paula Falls On the Floor First Time Making Love With Charlo How Did He Die? Paula With Her Sisters Facts of Life Me Then Me Now Charlo Was Shot Slut! Paula With Her Sisters About Daddy Nicola Hears About Her Father's Death Charlo On the News Alcoholscene: My Name Is Paula Spencer Alcoholscene: Jack Is My Baby Alcoholscene: I Am an Alcoholic Alcoholscene: Searching the KeyFormat: CD (2 Disc)Country: (not USA)Release Date: 12 April, 2011Label: Fuga LiberaDimensions: 14 x 1.3 x 12.7 centimeters (0.16 kg)

Woman Who Walked Into Doors

Format: CD (1 Disc)Country: (not USA)Release Date: 14 February, 2012Label: HuitDimensions: 12.7 x 0.4 x 14.3 centimeters (0.07 kg)

Tombeau de Debussy

Format: CD (1 Disc)Country: (not USA)Release Date: 12 February, 2008Label: Allegro Corporation ***Dimensions: 12.6 x 14.2 x 1.1 centimeters (0.06 kg)

Beethoven: Variations on "La Stessa, La Stessissma"; Appassionata Sonata; Bagatelles

Tracks: Introduction - Vers - Vers 2 - Vers 3 Interlude - De Marsj Van De Hete Zomer De Marsj Van De Hete Zomer Music for 3 Instruments Improvisations for Solo ViolinFormat: CD (1 Disc)Country: (not USA)Release Date: 28 January, 2014Label: Fuga LiberaDimensions: 12.3 x 0.8 x 15.4 centimeters (0.06 kg)

Feasts of Fear & Agony

Format: CD (1 Disc)Country: (not USA)Release Date: 26 May, 2017Label: Fuga Libera LabelDimensions: 12.6 x 1.2 x 14 centimeters (0.06 kg)

Les Blasphemes: Melodies Fin-de-siecle

Format: CD (1 Disc)Country: (not USA)Release Date: 9 March, 2010Label: Fuga LiberaDimensions: 14.6 x 1.3 x 12.7 centimeters (0.07 kg)

Divertimenti

SATENIK KHOURDOÏAN; ALAIN ALTINOGLU; LA MONNAIE SYMPHONY ORCHESTRA

TCHAIKOVSKY: WORKS FOR VIOLIN & ORCHESTRA

Tracks: I. Moderato E Semplice II. Andante Cantabile III. Scherzo. Allegro Non Tanto E Con Fuoco IV. Finale. Allegro Giusto - Allegro Vivace Morning Prayer The Sick Doll The Doll's Funeral The New Doll Kamarinskaja I. Allegro Con Spirito II. Adagio Cantabile E Con Moto III. Allegretto Moderato IV. Allegro VivaceFormat: Audio CDRelease Date: 22 November, 2019Label: Fuga Libera LabelDimensions: 12.5 x 0.6 x 14.2 centimeters (0.05 kg)

Souvenirs

Tracks: Les Désordres De Herr Zoebius Pour Quatuor À Cordes Back to the Voice Pour Piano Bryce Pour Clarinette Et Quatuor À Cordes Lettre Soufie : Z(1) Pour Alto, Piano Et ÉlectroniqueFormat: CD (1 Disc)Country: (not USA)Release Date: 14 October, 2008Label: Fuga LiberaDimensions: 14.6 x 0.6 x 12.7 centimeters (0.11 kg)

Lignes

"I don't want to betray that constantly sounding tone in me, through which I hear the world around," acknowledged Sergei Rachmaninov. This tone stimulated by the intonations of folk melodies and bell ringing, and the imagery of the Russian landscape, permeates his Second Symphony. It became a landmark work for the Ural Philharmonic Orchestra, whose performances in the leading concert venues of Europe and Asia were widely admired. Dmitry Liss, Artistic Director and Chief Conductor of the Orchestra has created a musical collective of remarkable quality during his 25-year tenure. A life-long personal favourite of Liss, Rachmaninov is frequently included in the Orchestra's programmes, both in Russia and abroad. "For me, his music is as much a symbol of the flourishing Russian culture of the Silver Age as works by Bunin and Chekhov", states Liss. "His music always captivates me with it's incredible emotional sincerity expressed in a reserved, noble and aristocratic way. Perhaps it's this combination which gives his music such extraordinary depth."

Symphony No. 2

Format: CD (1 Disc)Country: (not USA)Release Date: 11 May, 2010Label: Fuga LiberaDimensions: 12.7 x 0.5 x 14.1 centimeters (0.11 kg)

Deconstructing the Wall

Orlane-Cabaret
Label/Studio: Fuga Libera Label
Album Format: CD
UPC: 5400439007031
Release date: 2011-05-03

Orlane-Cabaret

This composition was commissioned from Bernard Foccroulle for the inauguration of the new organ of the Palais des Beaux-Arts in Brussels. The work's text consists of fragments from Dante's Purgatorio. At the beginning, the narrator and Virgil emerge from Hell and climb the mountain that leads to Paradise. The most sublime visions of the sky and nature are scattered throughout the text. The two travelers converse and meet many tormented shades who are awaiting their salvation. Exhausted, Dante falls asleep several times. Towards the end of their ascent, Virgil silently disappears at the very moment when Dante meets Beatrice. Their reunion forms an extremely dramatic scene: Beatrice reminds her friend of his past errors and the betrayals that followed her death. Her bitter reproaches plunge the poet into a state of prostration close to a swoon. But forgiveness comes: Matelda (a beautiful and mysterious lady we have encountered shortly before, who probably represents earthly happiness) comes to meet him, bathes him in the waters of Lethe and entrusts him to four beautiful women who dance and enfold him in their arms. The blazing sun is at it's zenith. Regenerated like a young plant, Dante is ready to rise up to the stars.

E Vidi Quattro Stelle

Tracks: Die Wiege Vorspiel R.W. - Venezia, S201 R.W. - Venezia, S201 Introduzione, 'La Tempesta': Andante Poco Adagio - Allegro Con Brio - Poco Adagio - Allegro Con Brio Adagio - Allegro Con Brio Allegro Vivace Der Kampf Um's Dasein Maestoso - Andante Adagio - Andante Quasi Allegretto Un Poco Adagio - Allegretto Grave Allegro Con Brio (Danza Eroica) Adagio (Tragica Scena) Prelude No. 11 in F Major, BWV880 Fugue No. 11 in F Major, BWV880 Trübe Wolken, S199 La Lugubre Gondola, S200, No. 2Format: CD (3 Disc)Country: (not USA)Release Date: 25 March, 2014Label: Fuga LiberaDimensions: 13.2 x 1.8 x 13.2 centimeters (0.06 kg)

Lost in Venice with Prometheus

Masques, the title of this album, is a reference to Prokofiev's Romeo and Juliet; it mirrors his visionary music, so full of wit, color and drama, that expresses every possible human emotion. The thousand characters created by the music are both actors in and spectators of their own lives by turns. The Sonata No. 1 is a truly epic work; it leads us from an anguish-laden grief permeated with a gust of wind from the grave to a nostalgic lyricism - the memory of a lost paradise? - that is then driven by tremendous rhythmic energy to the apocalyptic climax of the work: we experience an explosion, a dissolution of every hope, before a return to the frozen whiteness of the beginning and an ending in resignation. The Sonata No. 2, unrestrainedly lyrical and punctuated with humour, can be seen as a contrasting counterpart to the previous work. The release also includes the undervalued Sonata for solo violin and two miniatures in Prokofiev's characteristic style: they are filled with alacrity, humour and biting wit - an extract of life!

Masques

Format: CD (1 Disc)Country: (not USA)Release Date: 1 September, 2007Label: Fuga LiberaDimensions: 14.6 x 1.3 x 12.7 centimeters (0.06 kg)

Ein Musikalisches Opfer: Revisited

Giaux, Baudoin & Choraline : Babel
Label/Studio: Fuga Libera Label
Album Format: CD
UPC: 5425005576049
Release date: 2000-01-01

Giaux, Baudoin & Choraline : Babel

Tracks: Divertimento, K 563 6 Preludes & Fugues, K 404aFormat: CD (2 Disc)Country: (not USA)Release Date: 13 July, 2010Label: Fuga LiberaDimensions: 13.2 x 1.1 x 14.9 centimeters (0.10 kg)

Mozart: Complete Works for String Trio

Format: CD (1 Disc)Country: (not USA)Release Date: 2 August, 2005Label: Fuga LiberaDimensions: 12.6 x 1 x 14.1 centimeters (0.11 kg)

O Susser Clavichord

Daniel Weissmann, Managing Director of the Liège Royal Philharmonic, is also a violist. Following an initial album released by Fuga Libera (2018) and chiefly devoted to German music, he continues his exploration of the chamber repertory for viola with this new album, here in partnership with the pianist Peter Petrov. The programme explores the French Romantic repertory, in a world premiere recording of the British musicologist Hugh Macdonald's remarkable and formidably difficult arrangement for viola and piano of Berlioz's Harold en Italie. The album is completed by 'fin-de-siecle' pieces by Vierne, Chausson and Tournemire (all three students of Cesar Franck), written between 1894 and 1897, which embrace the full expressive and melancholic potential of the instrument.

The Romantic Viola 2

Format: CD (1 Disc)Country: (not USA)Release Date: 11 October, 2011Label: Fuga LiberaDimensions: 12.7 x 0.5 x 14 centimeters (0.07 kg)

Works for Cello & Piano

César Franck considered Les Béatitudes, for soloists, choir and orchestra, to be his greatest work. It was perhaps Johann Sebastian Bach's St. Matthew Passion that prompted him to begin a work in 1869 that too would be dominated by the voice of Christ. Franck worked on Les Béatitudes for ten years and created an original and deeply personal renewal of the oratorio form in 19th-century France. This is no simple musical depiction of a subject taken from the Gospel: Franck, a firm believer in the precepts of the Beatitudes, was here inspired to write a bold and personal work, driven by the ideal of justice that it's music unforgettable portrays.

Les Beatitudes

Violinist Sylvia Huang, a prizewinner at the Queen Elisabeth Competition in 2019, and Éliane Reyes, the renowned virtuoso pianist, present a new disc bubbling with elegance and femininity. Linked by a keen musical rapport and an irrepressible friendship, they declare their love for Belgian Romantic music, embodied by two emblematic composers: Eugène Ysaÿe, a natural musical companion whom every violinist has encountered or dreamt about, and Guillaume Lekeu, a dazzling musical genius taken from us all too soon. This recording reveals some skillfully chosen gems by Ysaÿe, including two unpublished early pieces, the Mazurka de concert and the Grande Valse de concert (the latter a world premiere). Lekeu is represented by the sublime Sonata for piano and violin, dedicated to Eugène Ysaÿe; the musicians had the opportunity to consult, with an almost fervent enthusiasm, the original manuscript in Verviers, the birthplace of both the composer and Éliane Reyes. A radiant album, overwhelming in it's sincerity.

Lointain Passe

In February 2021, when public concerts had been cancelled for several months, the musicians of the Orchestre de Chambre de Lausanne were able to meet behind closed doors on the stage of the Opéra de Lausanne in order to record this disc under the direction of Heinz Holliger. An album released in 2013 presented an earlier recording collaboration between the Bernese conductor and the Lausanne-based ensemble with two works by Schoenberg (Verklärte Nacht and the Chamber Symphony No. 2) and an early piece by his pupil Anton Webern (Langsamer Satz). Nearly a decade later, the same performers are reunited and continue to highlight these two leading composers of the Second Viennese School.

Kammersymphonie 9 / Sechs Kleine Stucke 19

Icelandic bass-baritone Andri Björn Róbertsson, and pianist Ástríður Alda Sigurðardóttir, perform Robert Schumann's Liederkreis op. 24 and Liederkreis op. 39, along with seven songs by the Icelandic composer Árni Thorsteinson. The two Liederkreise were composed during Schumann´s Year of Song in 1840. More than sixty years later Thorsteinson began publishing his songs, and they were instantly regarded as national treasures by the Icelandic nation. The program invites the listener on a mysterious journey through nature, love, death and the unknown. Andri Björn Róbertsson studied at the Reykjavík Academy of Singing and Vocal Arts in his native Iceland, RAM and the National Opera Studio. In the 2020/21 season, Icelandic bass-baritone Andri Björn Róbertsson returns to Zurich Opera with the La Scintilla Orchestra for St John's Passion and revisits the roles of Witness 3 and Madman in George Benjamin's Lessons in Love and Violence at the Châtelet.

Vocal Works [CD]

Scott Robert Shaw's debut "The English Tenor" takes us on a beautifully performed journey through a who's who of great English composers and their vocal works. The names Ivor Gurney, Benjamin Britten, Ralph Vaughan Williams, Gerald Finzi and Roger Quilter are synonymous with English Song, and a Golden Age of British music. The wide variety of accompanying instruments and artists, the broad range of text settings and the mix of cornerstone works of the repertoire alongside lesser-known cycles make "The English Tenor" a thrilling debut album. A product of the English church music tradition, Australian born Scott Robert Shaw has been performing works in this oeuvre since childhood. Whether on the operatic or oratorio stage, as an ensemble singer or soloist, his deep cultural roots to the British music world are laid bare for all to see. This deeply personal album stands as testament to his background, and as a homecoming to his earliest steps as artist. Beginning his career and training as a boy soprano at the St George's Cathedral Perth Choir, Scott then attended the McDonald College of the Performing Arts in Sydney, studying music and acting in the Stanislawksy/Laban tradition, awarded a full scholarship for Excellence in Performance. He then attended the Sydney Conservatorium of Music, and was given the Most Exceptional Contribution to the Arts award from Wesley College, University of Sydney. In London he continued his studies with the English National Opera's Baylis Programme for young performers and was regularly engaged to perform as a recitalist and operatic tenor in festivals and opera companies in both the United Kingdom and France. He then completed his studies at the Royal Conservatory in The Hague where he studied Early Music and Classical Singing, and now based in Düsseldorf, is regularly engaged as a soloist in The Netherlands and Germany, with a particular focus on Bach oratorios and Evangelist roles in the Passions.

Great Music of Small Forms

The pianist Pierre Solot here rediscovers the works of Ernesto Lecuona: their roots lie in many cultures and blend romantic virtuosity, Cuban dances, passionate avowals, evocations of distant lands, and the last decadent traces of 19th-century Vienna.
 
The Cuban-born Ernesto Lecuona (1895-1963), a composer and virtuoso pianist, was acclaimed by both George Gershwin and Maurice Ravel when he toured Europe and the United States, following in the footsteps of the 19th-century piano virtuosi who, driven by their passion, set concert halls and audiences aflame. These were pianists whose charismatic wizardry transformed the piano into an orchestra that could not only set the world ablaze and make it dance, but also evoke solitude and lovelorn exile.

Lecuona: Piano Music

David Chaillou writes of his new release: "The word 'legend' suggests to everyone a distant, wonderful story, which is reinvented every time it is told. There is no longer any present or past; we enter the borderless space of the imaginary and the timeless. In composing Légendes, I wanted to create on the piano the same idea of blurring the gap between past and present, and of freedom of the imagination. The eleven pieces on this album are presented as an inner journey, a listening itinerary that forms a kind of narrative thread without words. Illusions, mirages, distortions, echoes: all these effects on which Légendes plays were achieved through a form of intimacy with the piano. The play on contrasts (distance and proximity, emptiness and fullness) and the approach to harmonic texture attempt to create a new sound space that might be described as a spectra-tonal halo. The Finnish pianist Laura Mikkola, who recorded these works, has brought out all their resonances in masterly fashion."

Legendes

Format: CD (1 Disc)Country: (not USA)Release Date: 1 September, 2007Label: Fuga LiberaDimensions: 14.6 x 0.5 x 12.7 centimeters (0.06 kg)

L'avant-Guerre 1911-1914

Richard Wagner and Pyotr Illyich Tchaikovsky: these two composers seem to represent two musical extremes on this one album, with their only connection being the orchestra and the conductor who here perform their works. Wagner had proclaimed himself as the savior of German Romantic music, the master who would raise opera and it's performance to a higher level; Tchaikovsky was a tormented Russian Romantic composer who was considered to be too focused on Italian music to be truly Russian and yet whose music was regarded as being too Russian to ever sound truly European. Wagner's "Vorspiel und Liebestod" from Tristan und Isolde and Tchaikovsky's Symphony in f minor No. 4, op. 36 are presented here together by the Philharmonie Zuidnederland conducted by Dmitri Liss.

Vorspiel Und Liebestod / Symphony in F Minor [CD]

Tracks: Animé Et Très Décidé Assez Vif Et Bien Rythmé Andantino, Doucement Expressif IV. Très Modéré - Très Mouvementé Danse Sacrée Danse Profane Andantino Con Moto Allegro - Allegro Appassionato Scherzo. Intermezzo (Moderato Con Allegro) Andante Espressivo Finale (Appassionato) Danse Sacrée Danse ProfaneFormat: CD (1 Disc)Country: (not USA)Release Date: 13 November, 2012Label: Fuga Libera LabelDimensions: 0.8 x 12.6 x 14.1 centimeters (0.17 kg)

Quartet Trio & Dances

Dhrupad is the oldest and purest genre within the North Indian classical music and can trace it's origins to the recitation of Sanskrit texts in Hindu temples more than two thousand years ago. Dhrupad reached the Mughal courts in Rajasthan in the 16th century, where it developed into a classical art form. Dhrupad Fantasia is a meeting of the court music of Queen Elizabeth I of England with that of the Mughal emperor Akbar the Great; both monarchs reigned from about 1550 until 1600. Romina Lischka has created a wondrous fantasy in which the modality of Indian ragas is interwoven with the polyphony of Elizabeth I's England. She, the Hathor Consort and dhrupad vocalist Uday Bhawalkar have created an imaginary world by combining improvisations based on modal ragas and polyphonic instrumental music, both of which originated in the art music of the aforementioned courts.

Various Artists - Dhrupad Fantasia [CD]

Tracks: Morike-LiederFormat: CD (2 Disc)Country: (not USA)Release Date: 13 July, 2010Label: Fuga LiberaDimensions: 12.8 x 1.1 x 14 centimeters (0.11 kg)

Morike-Lieder

Format: CD (1 Disc)Country: (not USA)Release Date: 11 August, 2009Label: Fuga LiberaDimensions: 14.6 x 0.5 x 12.7 centimeters (0.07 kg)

Catalogue de Plantes

Format: CD (1 Disc)Country: (not USA)Release Date: 8 April, 2008Label: Fuga LiberaDimensions: 12.5 x 1 x 14.2 centimeters (0.06 kg)

Variations on a Theme of Frank Bridge, Lachrymae, Two Portraits, Simple Symphony

Jérémy Garbarg writes: "The word parlando contains several ideas that I would like to explore in this recording, as it unites the concepts of musical discourse, of speech, of narration, and of sharing. Here we bring together such emblematic chamber ensembles as the piano trio and the string quartet to perform works inspired by the folk traditions of Eastern Europe. Parlando also symbolizes the sharing that takes place between artists who are passionate about the human exchanges involved when rehearsing and performing these chamber works. It symbolizes the powerful discourse of the Hungarian tradition in Kodály's Sonata Op. 8, the joy of discovering original and rarely recorded music such as Enescu's Trio no. 1, and the wealth of almost cinematic expression in Janácek's Quartet no. 1."

Parlando

Format: CD (1 Disc)Country: (not USA)Release Date: 9 September, 2008Label: Fuga LiberaDimensions: 12.5 x 14.3 x 1.1 centimeters (0.06 kg)

Messiaen: Quator puor la fin du Temps;  Chong: Mourning the Murder of an old Banyan Tree

Tracks: Suite No. 1 in C Major, BWV1066 Suite No. 2 in B Minor, BWV1067Format: CD (2 Disc)Country: (not USA)Release Date: 12 April, 2011Label: Fuga LiberaDimensions: 12.7 x 1.3 x 14 centimeters (0.12 kg)

Orchestral Suites

Benoit Giaux - Nymphes & Fleurs (CD) (Digi-Pak)
Label/Studio: Fuga Libera Label
Album Format: CD
UPC: 5400439005426
Release date: 2008-11-11

Benoit Giaux - Nymphes & Fleurs (CD) (Digi-Pak)

The forest has always been an important place for Olivia Gay. She wanders through the woods alone, listening not only to it's silence but also to it's murmurs. It is a place of creation where her cellist's instincts are awakened and where she can find peace and quiet outside the city. She joined forces with the Office national des forêts (ONF) in 2022 to raise public awareness of such spaces by inviting spectators to concerts given in the heart of the forest or in natural site. This album continues this project and includes works by Jacques Offenbach, Camille Pépin, Edward Elgar, John Luther Adams and Max Richter; the program as a whole is under the aegis of Antonin Dvorák's magnificent Silent Woods, which also lent it's name to this initiative.

Fuga Libera Label(161)

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