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ANOTHER THOUGHT

Soul In The Horn
Label/Studio: Be with Records
Album Format: LP
UPC: 4251804142557
Release date: 2024-05-31

Soul In The Horn

Invisible Man
Label/Studio: Be with Records
Album Format: LP
UPC: 4251804141963
Release date: 2024-06-07

Invisible Man

Miles Davis: 'I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums." 
 
 
 
 The Tony Williams Lifetime's Emergency! Is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music. 
 
 
 
 The group was founded by Tony Williams, a member of Miles Davis' radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, 'jazz-rock's equivalent of Are You Experienced?'. The album's urgent title was profoundly significant for Williams: "It was an emergency for me to leave Miles and put that band together (... ) and I wanted to play an emerging music that was my own.' The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.
 
 
 
 The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing "louder than rock'n'roll", as Herbie Hancock said of going to hear them live in 1969: 'This is something new... It was exciting and very arresting. It snatched you. It yanked you out of your seat." Ian Carr, of Nucleus, was equally impressed: 'The only other comparable band that existed... They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums.'
 
 
 
 Like all the very best records, Emergency! #takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus. 
 
 
 
 The incendiary title track immediately presents jazz-rock's chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts it's way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. 'Beyond Games' is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute 'Where' is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital. 
 
 
 
 With the buoyant "Vashkar", we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! #received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: 'Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin's scrambling solo, Williams start

Emergency!

Return Of The Bastard

Vinyl LP pressing of this 1975 album from the acclaimed pianist.

Mobius

Vinyl LP pressing. The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it's aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Snakehips Etcetera

Tracks: Are These My Memories? Walking Across the Field Summer Stroll It's Raining Tomorrow Dancing in July Shadows Across the Path Waiting By the Car Kinda Knew Anna Love That Bird More Rain in the WoodsFormat: VINYLRelease Date: 25 October, 2019Label: Be with RecordsDimensions: 31.1 x 0.2 x 31.2 centimeters (0.36 kg)

Girls In The Grass

Vinyl LP pressing. What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it's aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Solar Plexus

Double vinyl LP pressing. Kollage is the debut studio album by the hip-hop artist, Bahamadia, originally released in 1996.

Kollage

Siri, what's 'Balearic'?'
 
 
 
 Be With present the first ever reissue of the ultra rare double pack DJ promo of Malcolm McLaren & Bootzilla Orchestra's 'Call A Wave'. Originally slipping out in 1989 to a select few, there were rumoured to be only ever 300 copies pressed. Indeed, the entire package never got a proper release and now goes for a small fortune.
 
 
 
 Say what? Bootsy Collins, Jeff Beck and Malcolm McLaren, all in one band, composing over a Barry White sample? And that's just the original. But you can forget about that for now. Here we have the incredibly sought-after 'DFC Dance Mix', mixed by Massimino Lippoli of Morenas / Sueño Latino fame for the legendary DFC Italy. It's a throbbing, vital, dramatic slice of dreamy ambient house. A deep, entrancing track that's both blissful and dancefloor dynamite. It features the iconic, disaffected female vocal chopped up over elegant piano snatches, Beck's ace guitar stylings over rolling, heavy drums and a killer, hypnotic bassline with sparkling harp coming and going. It's exotic, otherworldly and brimming with that very special late 80s/early 90s Mediterranean vibe. Yes, it's Balearic, it's House. Above all else, it's a pure uncut slice of halcyon summer days, pressed on wax. 
 
 
 
 But on side B we also have the mesmeric 'Breakdown Mix', again mixed by DFC Italy. For some, *this* is the mix to have - and who are we to argue? This time, the vocals are treated so they're uttered backwards, contributing to the wonderfully disorienting magic of this particular mix. 
 
 
 
 And how could we forget the equally iconic 'Orbital Mix'? Not by the actual group Orbital, but courtesy of S'Express's Mark Moore & William Orbit, no less. A brilliant, beautiful remix that's perhaps more musical. They make more obvious use of the sample from the original Barry White track ('I'm Gonna Love You Just a Little More Baby') that Malcolm was inspired by. Flip over to Side D to find the duo's uber-horizontal 'Return To The Deep Ambient Mix', a floaty, beatless gem that'll leave you swooning. 
 
 
 
 To round out this quite astonishing package, the 'New Age Mix', again coming from the DFC Italy camp, elegantly sends us off into the cosmos with minimal percussion and maximum vibes. 
 
 
 
 Every mix on this DJ double pack is truly killer. Simon Francis remastered the original audio for this release and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 2x12' well and truly pumps. The immaculate Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes this and every summer. For the artwork, we've recreated the original DJ promo, a plain white gatefold sleeve complete with the iconic burnt orange hype sticker. Hold tight. Roof down, tops off.

Call A Wave Remixes

Drama Suite Part II

Another Thought was the first collection of Arthur Russell's music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue. We'll assume that by now you're all at least a little familiar with the story of Arthur Russell, the farm boy from Iowa who moved to 1970s New York. Arthur Russell the genuine musical genius who died just 40 years old, leaving behind a wealth of music that dwarfed the few 12' s and LPs that were released during his short life. Although Arthur had been working on an album for Rough Trade during his last years, with the label no longer operating it was Point Music (Philip Glass and Michael Riesman's label set up together with Philips) who stepped in to help Arthur's partner Tom Lee start working out exactly what Arthur had left behind. Tom suggested his and Arthur's friend Mikel Rouse was the right person to make the first catalogue. Working in Tom and Arthur's apartment he had only two weeks to go through what turned out to be around 800 tapes. As Tom explained "at the end of each day he would generally wait for me to come home and I would, to the best of my knowledge, name and identify pieces in question from that day's work. As he worked Mikel compiled about a dozen cassettes that he thought would present the most finished sounding songs for Don/Point to use. As Don listened he would then suggest and ask me and thus we collaborated on the choices." Don is Don Christensen, Another Thought's producer. With a final selection of songs from recordings made between 1982 and 1990, including sessions with some of Arthur's regular collaborators Peter Zummo, Steven Hall, Mustafa Ahmed, Elodie Lauten, Julius Eastman, Jennifer Warnes and Joyce Bowden, it was then Don's job to turn these into a finished album. Another Thought is a little different from the compilations of Arthur's music that came out since. In our conversations with Steve Knutson (who founded Audika Records and who manages Arthur's estate together with Tom), he explained that "more than any project released by Arthur during his lifetime or posthumously by Audika, 'Another Thought' is the most worked over. The material was significantly edited and rearranged from the original source tapes". If the aim was to release a comprehensive exploration of every facet of Arthur's music, from the most avant-garde of his avant-garde compositions through to the most disco-not-disco of his disco-not-disco tunes then the project was a spectacular failure. But as a coherent album of non-obvious pop music Another Thought is wonderful.

Another Thought

VIVID UNDERSCORES (KPM)

The Fall (Maurice Fulton Remix)
Label/Studio: Be with Records
Album Format: LP
UPC: 4251804125451
Release date: 2024-04-19

Be with Records(16)

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